"Act I: Ah, qual soave vision ... Bianca al par di neve" by Giacomo Meyerbeer, Enrico Caruso was released on 1990. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 206 in Enrico Caruso - The Complete Victor Recordings by Enrico Caruso. Act I: Ah, qual soave vision ... Bianca al par di neve is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Act I: Ah, qual soave vision ... Bianca al par di neve by Giacomo Meyerbeer, Enrico Caruso is Andante (at a walking pace), since this song has a tempo of 78 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": II. Andante | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | D Major | 1 | 10B | 129 BPM | ||
Requiem in C Minor: Sanctus | Antonio Salieri, Lawrence Foster, Orquestra Gulbenkian, Coro Gulbenkian, Adam Zdunikowski, Luis Rodrigues | C Major | 2 | 8B | 84 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
Viola Concerto No. 1 in D Major: II. Andante moderato | Carl Stamitz, Hariolf Schlichtig, Munich Chamber Orchestra | F Major | 0 | 7B | 178 BPM | ||
Le prophète, Act I: Un jour, dans les flots de la Meuse (Live) | Giacomo Meyerbeer, Eugène Scribe, Marianne Cornetti, Lynette Tapia, Essener Philharmoniker, Giuliano Carella | F Major | 0 | 7B | 79 BPM | ||
Achmet und Zenide, Act IV: Marsch | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | B♭ Major | 2 | 6B | 108 BPM | ||
Violin Concerto No. 1 in D Major, Op. 6: III. Rondo (Allegro spirituoso) | Niccolò Paganini, Hilary Hahn, Swedish Radio Symphony Orchestra, Eije Oue | D Major | 1 | 10B | 99 BPM | ||
Orfeo ed Euridice: Act II, Scene 2, Ballo. Andante | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | C Major | 0 | 8B | 74 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Concerto for Clarinet and Orchestra No. 1 in F minor J114 (Op. 73): Adagio ma non troppo | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | C Major | 0 | 8B | 177 BPM |