"2 Piano Pieces, Op. 99: No. 1, Impromptu for the Left Hand" by Reinhold Glière, Alton Chung Ming Chan was released on September 7, 2018. The duration of 2 Piano Pieces, Op. 99: No. 1, Impromptu for the Left Hand is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. 2 Piano Pieces, Op. 99: No. 1, Impromptu for the Left Hand's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Reinhold Glière, Alton Chung Ming Chan's "Glière: Piano Compositions" album is number 33 out of 33. Based on our statistics, 2 Piano Pieces, Op. 99: No. 1, Impromptu for the Left Hand's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 2 Piano Pieces, Op. 99: No. 1, Impromptu for the Left Hand by Reinhold Glière, Alton Chung Ming Chan to be Allegro (fast, quick, and bright) because the track has a tempo of 128 テンポ, a half-time of 64テンポ, and a double-time of 256 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Fischer und das Milchmädchen: IXb. Andantino pastorale | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
8 Études, Op. 42: No. 5 in C-Sharp Minor | Alexander Scriabin, Evgeny Kissin | D♭ Minor | 2 | 12A | 132 BPM | ||
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E Major | 2 | 12B | 161 BPM | ||
Variations on a Theme by Tchaikovsky, Op. 35a: Var. II. Allegro non troppo | Anton Arensky, Metamorphose String Orchestra, Pavel Lyubomudrov | E Minor | 3 | 9A | 96 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
Schwanengesang, D. 957, Book 1: No. 4. Standchen (Serenade) | Franz Schubert, Alexander Hülshoff, Andreas Frolich | C Major | 1 | 8B | 142 BPM | ||
Orpheus' Lament & Dance of the Blessed Spirits (Arr. Kempff) | Christoph Willibald Gluck, Angela Hewitt | A Major | 2 | 11B | 143 BPM |