"Hark I Hear the Harps Eternal" by Phoenix Chamber Choir, Alice Parker was released on March 31, 2017. The duration of Hark I Hear the Harps Eternal is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Hark I Hear the Harps Eternal's duration is considered a little bit shorter than the average duration of a typical track. This song is part of When The Earth Stands Still by Phoenix Chamber Choir. The song's track number on the album is #7 out of 7 tracks. Based on our data, Canada was the country where this track was produced or recorded. Hark I Hear the Harps Eternal is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Hark I Hear the Harps Eternal by Phoenix Chamber Choir, Alice Parker has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Hark I Hear the Harps Eternal being at 87 テンポ, the half-time would be 44 テンポ with a double-time of 174 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnificat in D Minor | Thomas Attwood Walmisley, Rochester Cathedral Choir, William Whitehead, Roger Sayer | C Minor | 1 | 5A | 76 BPM | ||
To the Evening Star | Phoenix Chamber Choir, Paul Hung, Abbie Betinis, Graeme Langager | F♯ Minor | 0 | 11A | 71 BPM | ||
At the Lamb's High Feast We Sing | Jacob Hintze, Durham Cathedral Choir, David Ratnanayagam, James Lancelot | F Major | 3 | 7B | 89 BPM | ||
Do Not Be Afraid | Philip Stopford, The Ecclesium Choir | D Major | 0 | 10B | 72 BPM | ||
Sweet Rivers | Shawn Kirchner, John A. Granade, Iowa State Singers | D Major | 1 | 10B | 105 BPM | ||
High Flight | Karen Linford Robinson, Bella Voce, Dr. Bret Amundson | C Major | 1 | 8B | 84 BPM | ||
Lord, for Thy Tender Mercy's Sake | Richard Farrant, Westminster Kantorei, Amanda Quist | A♭ Major | 1 | 4B | 77 BPM | ||
Under the Willow (Arr. S. LaBarr for Choir) [Live] | Stephen Foster, Texas All-State Women's Choir, Amanda Quist | B Minor | 4 | 10A | 81 BPM | ||
Exultate Justi in Domino | The New York Madrigal Singers, Erik-Peter Mortensen & David Schofield | F♯ Major | 1 | 2B | 78 BPM | ||
Das ist der Tag des Herrn | Friedrich Wilhelm Kücken, ffortissibros, Benedikt Kantert | A Major | 1 | 11B | 112 BPM |