Mateo Romero, Jordi Savall's 'Romero: Folia: A la dulce risa del alva' came out on March 2, 2018. The duration of Romero: Folia: A la dulce risa del alva is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Romero: Folia: A la dulce risa del alva's duration is considered a little bit shorter than the average duration of a typical track. The song is number 152 out of 195 in España Eterna by Jordi Savall. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Romero: Folia: A la dulce risa del alva is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Romero: Folia: A la dulce risa del alva by Mateo Romero, Jordi Savall is Moderato (at a moderate speed), since this song has a tempo of 116 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Stabat Mater Dolorosa à dix voix: Stabat Mater Dolorosa | Domenico Scarlatti, Ensemble William Byrd, Graham O'Reilly, Catherine Greuillet, Raphaële Kennedy, Sophie Decaudaveine, Brigitte Vinson, Pascal Bertin, Vincent Darras, Bruno Boterf, Raphaël Boulay, François Fauche, Paul Willenbrock | B Minor | 2 | 10A | 129 BPM | ||
Who made thee, Hob, forsake the Plough? | William Byrd, Dorothee Mields, Magdalene Harer, Boreas Quartett Bremen, Hathor Consort | A♭ Major | 2 | 4B | 101 BPM | ||
Laudate Dominum omnes gentes, à 12 (In loco Deo Gratias) | Mateo Romero, Chœur De Chambre De Namur, La Fenice, Jean Tubéry | E Minor | 2 | 9A | 79 BPM | ||
Lagrimosa beltà | Giovanni Felice Sances, The King's Noyse | A Major | 3 | 11B | 58 BPM | ||
O Combien est heureuse | Adrien le Roy, The King's Noyse, David Douglass, Ellen Hargis | E♭ Major | 1 | 5B | 98 BPM | ||
La Purpura della Rosa: El Amor de Venus y Adonis: Loa: Chinfonia | Antonio Martín y Coll, The Harp Consort, Andrew Lawrence-King | A Minor | 0 | 8A | 151 BPM | ||
Fantasia-Suite in A Minor, VdGS group IV, No. 1: III. Courante | John Jenkins, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Zarabanda Francesa | Gaspar Sanz, Rolf Lislevand, Eduardo Eguez, Beatrice Pornon, Adela Gonzalez-Campa | B♭ Major | 0 | 6B | 115 BPM | ||
Libera me | Mateo Romero, La Maîtrise de Toulouse, Les Sacqueboutiers, Mark Opstad | A Major | 2 | 11B | 64 BPM | ||
All'imperio d'Amore: 2. O fortunato giorno a 30 "La Pellegrina" | Cristofano Malvezzi, Ensemble Pygmalion, Raphael Pichon | G Minor | 3 | 6A | 113 BPM |