Jordi Savall, Waed Bouhassoun's 'Taqsim (Kanun) - Improvisación - Moaxaja: Ya gosan naqa - Ibn Zuhr (Sevilla 1073-1162) - Tradición Al-Ándalus' came out on May 20, 2016. The duration of Taqsim (Kanun) - Improvisación - Moaxaja: Ya gosan naqa - Ibn Zuhr (Sevilla 1073-1162) - Tradición Al-Ándalus is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Taqsim (Kanun) - Improvisación - Moaxaja: Ya gosan naqa - Ibn Zuhr (Sevilla 1073-1162) - Tradición Al-Ándalus's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jordi Savall's "Granada Eterna" album is number 7 out of 24. Based on our statistics, Taqsim (Kanun) - Improvisación - Moaxaja: Ya gosan naqa - Ibn Zuhr (Sevilla 1073-1162) - Tradición Al-Ándalus's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Taqsim (Kanun) - Improvisación - Moaxaja: Ya gosan naqa - Ibn Zuhr (Sevilla 1073-1162) - Tradición Al-Ándalus by Jordi Savall, Waed Bouhassoun to be Moderato (at a moderate speed) because the track has a tempo of 120 テンポ, a half-time of 60テンポ, and a double-time of 240 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nihavent Semai | Jean-Guihen Queyras, Sokratis Sinopoulos, Bijan Chemirani, Keyvan Chemirani | E Minor | 2 | 9A | 111 BPM | ||
Awatadhkourou / Poushideh chon jân | Ghalia Benali, Constantinople, Kiya Tabassian | B♭ Major | 5 | 6B | 99 BPM | ||
Samai Rast | Charbel Rouhana, Imane Homsy, Ali El Khatib, Albert Rouhana, Abboud El Saadi, Bassam Saleh | C Minor | 4 | 5A | 120 BPM | ||
Violin Concerto No. 4 in F Minor "Winter", RV 297: II. Largo (with Sonnet) | Antonio Vilvaldi, Antonio Vivaldi, Jordi Savall, Alfia Bakieva, Les Musiciennes du Concert des Nations | C Major | 1 | 8B | 173 BPM | ||
Sinanon Saran (Chant de griot) | Jordi Savall, Kassé-Mady Diabaté, Mamani Keïta, Nana Kouyate, Tanti Kouyaté, Driss El Maloumi, Ballaké Sissoko, Rajery | F Major | 3 | 7B | 86 BPM | ||
Que ferons nous | Constantijn Huygens, Rima Khcheich, Maarten Ornstein, Mike Fentross | G Major | 0 | 9B | 93 BPM | ||
Corrente italiana | Juan Cabanilles, Jordi Savall | D Minor | 2 | 7A | 136 BPM | ||
Concert XXVII: Bourrasque - Balet | Monsieur de Sainte-Colombe, Jordi Savall, Wieland Kuijken | E Major | 1 | 12B | 121 BPM | ||
Washwishni | Rima Khcheich, Maarten van der Grinten | D Minor | 2 | 7A | 94 BPM | ||
Poema en piedra de la Alhambra de Granada. Texto en árabe de Ibn Zamrak [Texto recitado] - Taqsim (improvisación instrumental) | Jordi Savall, Manuel Forcano | A Major | 1 | 11B | 82 BPM |