"Mass for the Nativity of the Virgin:I. Conduit monodique "Beata viscera Marie Virginis"" by Pérotin, Ensemble Organum, Marcel Pérès was released on 1995. Since Mass for the Nativity of the Virgin:I. Conduit monodique "Beata viscera Marie Virginis" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in École de Notre-Dame de Paris : Mass for the Nativity of the Virgin, so we believe that "Mass for the Nativity of the Virgin:I. Conduit monodique "Beata viscera Marie Virginis"" is a single. Based on our statistics, Mass for the Nativity of the Virgin:I. Conduit monodique "Beata viscera Marie Virginis"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass for the Nativity of the Virgin:I. Conduit monodique "Beata viscera Marie Virginis" by Pérotin, Ensemble Organum, Marcel Pérès is Allegro (fast, quick, and bright), since this song has a tempo of 128 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass for the Nativity of the Virgin: XII. Benedicamus "Domino à deux voix" | Léonin, Ensemble Organum, Marcel Pérès | D♭ Major | 2 | 3B | 70 BPM | ||
Sacris solemnis - hymn z uroczystości najświętszego ciała i krwi Chrystusa | Schola Cantorum Gymevensis | C Minor | 1 | 5A | 121 BPM | ||
Sederunt principes | Ars Veritas | A♭ Minor | 4 | 1A | 111 BPM | ||
Doxastikon, Mode plagal du 2ème : Gloire à Dieu... | Unknown, Lycourgos Angelopoulos | F♯ Minor | 1 | 11A | 111 BPM | ||
Missa cum iubilo - Agnus Dei | Nova Schola Gregoriana, Alberto Turco | B♭ Major | 0 | 6B | 107 BPM | ||
Compostela "Ad vesperas Sancti Iacobi": XI. Benedicamus Domino "Deo Gracias" | Codex Calixtinus, Ensemble Organum, Marcel Pérès | C Major | 1 | 8B | 106 BPM | ||
O Theotokas and Virgin, rejoice (S.Yasinevich) | S.Yasinevich, Monks Choir of Kiev Pechersk Monastery | E♭ Minor | 1 | 2A | 80 BPM | ||
Messe de la toussaint : Gloria iii | Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan, Dom Gaston le Nézet | A Minor | 0 | 8A | 109 BPM | ||
Tempo Della Glora E Della Vita. Graduale: Haec Dies | Canonici Regolari Si Sant'Antimo | F Minor | 1 | 4A | 78 BPM | ||
Léonin / Pérotin: Magnus Liber / Easter: Victimae paschali laudes (à 1) (Sequence) | Léonin, Pérotin, Orlando Consort, Robert Harre-Jones, Stephen Charlesworth, Charles Pott, Michael McCarthy, Julian Clarkson, Westminster Cathedral Choir, James O'Donnell | A Minor | 1 | 8A | 77 BPM |