"Three Latin Motets: II. Ave Maria" by Cecilia McDowall, Joyful Company Of Singers was released on October 15, 2007. The duration of Three Latin Motets: II. Ave Maria is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Three Latin Motets: II. Ave Maria's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 16 in Cecilia McDowall - Stabat Mater by Cecilia McDowall, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Three Latin Motets: II. Ave Maria is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Three Latin Motets: II. Ave Maria by Cecilia McDowall, Joyful Company Of Singers is Andante (at a walking pace), since this song has a tempo of 85 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in B-Flat Major, Op. 52 "Hymn Of Praise": VIII. Andante con moto. "Nun danket alle Gott" | Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Frieder Bernius, Kammerchor Stuttgart | G Major | 2 | 9B | 81 BPM | ||
Hymne au soleil | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | D Major | 1 | 10B | 131 BPM | ||
From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 2, False Love | Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman | D Major | 1 | 10B | 99 BPM | ||
Phoenix | Ola Gjeilo, Phoenix Chorale, Charles Bruffy | A Major | 0 | 11B | 139 BPM | ||
Říkadla: XI. Ho, ho, off go the cows | Leoš Janáček, Cappella Amsterdam, Daniel Reuss, Radio Blazers Ensemble | A♭ Major | 1 | 4B | 137 BPM | ||
Ash Wednesday - Mixed Voices | Christina Rossetti, Cecilia McDowall, Commotio Chamber Choir, Bernard West, Griselda Sherlaw-Johnson | E Minor | 1 | 9A | 167 BPM | ||
All-night Vigil, Op. 37, "Vespers": Hail, O Virgin Mother (Ave Maria) | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 139 BPM | ||
Abendfeier in Venedig | Clara Schumann, Sansara, Tom Herring | G Major | 0 | 9B | 89 BPM | ||
Aesop's Fables: No. 4. The North Wind and the Sun | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | E Minor | 1 | 9A | 123 BPM | ||
Paint My Wall | Mikko Finneman | A♭ Minor | 3 | 1A | 86 BPM |