"Liebesleid" by Fritz Kreisler, Daniel Hope, Simon Crawford-Phillips was released on February 7, 2020. The duration of Liebesleid is about 3 minutes long, at 3:14. Based on our data, "Liebesleid" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 20 out of 34 in Belle Époque by Daniel Hope. Based on our statistics, Liebesleid's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Liebesleid by Fritz Kreisler, Daniel Hope, Simon Crawford-Phillips is Allegro (fast, quick, and bright), since this song has a tempo of 125 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
Waltz in F Minor | Vladimir Horowitz, Valery Kuleshov | B♭ Minor | 0 | 3A | 75 BPM | ||
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
Introduction et Rondo capriccioso in A Minor, Op. 28, R. 188 | Camille Saint-Saëns, Tianwa Yang, Malmö Symphony Orchestra, Marc Soustrot | C Major | 1 | 8B | 129 BPM | ||
Triakontameron: No. 11, Alt-Wien (Arr. J. Heifetz for Violin & Piano) | Leopold Godowsky, Nazrin Rashidova, Roderick Chadwick | E Minor | 1 | 9A | 86 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Valse Fantaisie, Op.49 | Raoul Koczalski, Ingolf Wunder | B Minor | 0 | 10A | 66 BPM | ||
13 Pieces for Piano, Op. 76: Elegiaco, No. 10 | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 169 BPM | ||
Violin Concerto No. 3 In E Major, MS 50: II. Adagio, Cantabile Spianato | Erno Rozsa, Slovak Radio Symphony Orchestra, Niccolò Paganini | A Major | 0 | 11B | 98 BPM |