"And He Shall Purify" by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra had its release date on January 1, 1987. The duration of This song is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. And He Shall Purify's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Andrew Davis's "Handel: Messiah" album is number 7 out of 54. On top of that, United States appears to be the country where this track was created. And He Shall Purify is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of And He Shall Purify by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 78 テンポ, a half-time of 39テンポ, and a double-time of 156 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I will lift up mine eyes | John Rutter, The Cambridge Singers, City of London Sinfonia | B♭ Major | 1 | 6B | 126 BPM | ||
Concerto grosso in F, Op.6, No.12: 2. Allegro | Arcangelo Corelli, The English Concert, Trevor Pinnock | E Major | 3 | 12B | 137 BPM | ||
I Know That My Redeemer Liveth | The Tabernacle Choir at Temple Square, Orchestra at Temple Square, Sonya Yoncheva | D Minor | 0 | 7A | 134 BPM | ||
Der Messias - In deutscher Sprache / Erster Teil: Sinfonia. Grave - Allegro moderato | George Frideric Handel, Münchener Bach-Orchester, Karl Richter, Hedwig Bilgram, Elmar Schloter | F♯ Minor | 0 | 11A | 83 BPM | ||
In the Bleak Midwinter (Arr. Kanneh-Mason) | Gustav Holst, Sheku Kanneh-Mason, Isata Kanneh-Mason | F Major | 0 | 7B | 75 BPM | ||
L'Enfance du Christ, Op. 25, Deuxième Partie, La Fuite en Egypte: II. L'Adieu des Bergers | Hector Berlioz, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe, Joseph Moor, La Chapelle Royale | F♯ Major | 1 | 2B | 106 BPM | ||
A Clare Benediction | John Rutter, The Cambridge Singers, City of London Sinfonia | E♭ Major | 1 | 5B | 76 BPM | ||
The Dettingen Anthem: V. We Will Rejoice in Thy Salvation | George Frideric Handel, The English Concert, Simon Preston, The Choir Of Westminster Abbey, Trevor Pinnock | D♭ Major | 3 | 3B | 91 BPM | ||
A Ceremony Of Carols, Op. 28: Spring Carol | Benjamin Britten, Sioned Williams, Libby Crabtree, Sally Dunkley, Harry Christophers | D Major | 0 | 10B | 63 BPM | ||
Dixit Dominus, HWV 232: 1. Dixit Dominus | George Frideric Handel, Arleen Auger, Lynne Dawson, Diana Montague, Leigh Nixon, Simon Birchall, Orchestra of Westminster Abbey, Simon Preston, The Choir Of Westminster Abbey | B Major | 1 | 1B | 87 BPM |