"Laudes de sainte Ursule: VIII. Antienne De Patria" by Hildegard von Bingen, Ensemble Organum, Marcel Pérès had its release date on 1996. The duration of This song is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Laudes de sainte Ursule: VIII. Antienne De Patria's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Hildegard von Bingen, Ensemble Organum, Marcel Pérès's "Hildegard von Bingen: Laudes de sainte Ursule" album is number 8 out of 25. On top of that, France appears to be the country where this track was created. Laudes de sainte Ursule: VIII. Antienne De Patria is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Laudes de sainte Ursule: VIII. Antienne De Patria by Hildegard von Bingen, Ensemble Organum, Marcel Pérès to be Adagio (slowly with great expression) because the track has a tempo of 72 テンポ, a half-time of 36テンポ, and a double-time of 144 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sederunt principes | Ars Veritas | A♭ Minor | 4 | 1A | 111 BPM | ||
Dominica Resurrectionis: V. Communio (Pascha nostrum) | Gregorian Chants, Karel Frana, Boni Puncti | E Major | 1 | 12B | 69 BPM | ||
Credo IV | Cantores 'Regina Caeli' | D Major | 1 | 10B | 67 BPM | ||
Laus Trinitati | Hildegard von Bingen, Vajra Voices | A Minor | 1 | 8A | 128 BPM | ||
Doxastikon, Mode plagal du 2ème : Gloire à Dieu... | Unknown, Lycourgos Angelopoulos | F♯ Minor | 1 | 11A | 111 BPM | ||
Ave Maria... Et Benedictus | Benedettini Abbazia di San Paolo fuori le mura | G Major | 1 | 9B | 77 BPM | ||
Nos Autem Gloriári: Ingangsvers På Skjærtorsdag | Public Domaine, St. Hallvard-Guttene, Øistein Vogt | G Major | 2 | 9B | 128 BPM | ||
Responsory: Libera Me | Cantores 'Regina Caeli' | C Major | 1 | 8B | 63 BPM | ||
O frondens virga (Gloria Patri) - Ave generosa | Hildegard von Bingen, Sequentia | A Minor | 0 | 8A | 74 BPM | ||
Cantus Officiorum: Responsorium: Tenebrae factae sunt | Ambrosian Chant,, Cappella Musicale del Duomo di Milano, Luigi Benedetti | E♭ Major | 1 | 5B | 131 BPM |