Ludwig van Beethoven, Jungin Huh, Ilya Rashkovskiy made "12 Variations on "Ein Mädchen oder Weibchen" from Mozart's Die Zauberflöte in F Major, Op. 66 : Variation XII. Allegro" available on April 5, 2024. With 12 Variations on "Ein Mädchen oder Weibchen" from Mozart's Die Zauberflöte in F Major, Op. 66 : Variation XII. Allegro being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 39 in Beethoven: Variations for violoncello and piano by Ludwig van Beethoven, Jungin Huh, Ilya Rashkovskiy. Going off of the ISRC code of this track, we detected that the origin of this track is from South Korea. 12 Variations on "Ein Mädchen oder Weibchen" from Mozart's Die Zauberflöte in F Major, Op. 66 : Variation XII. Allegro is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of 12 Variations on "Ein Mädchen oder Weibchen" from Mozart's Die Zauberflöte in F Major, Op. 66 : Variation XII. Allegro by Ludwig van Beethoven, Jungin Huh, Ilya Rashkovskiy is Adagio (slowly with great expression), since this song has a tempo of 70 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Crimean Sketches, Series 1, Op. 9 (Arr. for Piano): No. 3. Chanson a boire | Aleksandr Spendiaryan, Mikael Ayrapetyan | A Major | 1 | 11B | 110 BPM | ||
Piano Sonata No. 18 in E-Flat Major, Op. 31 No. 3 "The Hunt": I. Allegro | Ludwig van Beethoven, Yuja Wang | D♭ Minor | 0 | 12A | 131 BPM | ||
6 Violin Sonatas, Op. 10b No. 4 in E-Flat Major, J. 102: II. Rondo: Vivace | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | E♭ Major | 1 | 5B | 112 BPM | ||
Satie: Parade: Prestidigitateur chinois | Erik Satie, Gautier Capuçon, Alexandre Tharaud | B Minor | 0 | 10A | 111 BPM | ||
Haydn: The Seven Last Words of Christ, Hob. XX:1: Il terremoto. Presto e con tutta la forza | Joseph Haydn, Sir Neville Marriner, Academy of St. Martin in the Fields | G Minor | 3 | 6A | 115 BPM | ||
Piano Sonata in C Major, D. 613 (Completed by G. Bruno): III. Siciliana. Allegretto | Franz Schubert, Giuseppe Bruno | C Major | 0 | 8B | 171 BPM | ||
6 Etudes pour la main gauche seule, Op. 135: III. Moto perpetuo | Camille Saint-Saëns, Piers Lane | F♯ Minor | 0 | 11A | 76 BPM | ||
Play Time | Nikki Calmero | B♭ Major | 3 | 6B | 87 BPM | ||
Waltz No. 18 in E-Flat Major. Sostenuto, KK IVb/10 | Frédéric Chopin, Pavel Kolesnikov | E♭ Major | 0 | 5B | 74 BPM | ||
Symphony No. 8 in F Major, Op. 93: IV. Allegro vivace | Ludwig van Beethoven, Antonello Manacorda, Kammerakademie Potsdam | G Major | 3 | 9B | 72 BPM |