"Dichterliebe, Op.48: 13. Ich hab' im Traum geweinet" by Robert Schumann, Fritz Wunderlich, Hubert Giesen was released on January 1, 1997. The duration of Dichterliebe, Op.48: 13. Ich hab' im Traum geweinet is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Dichterliebe, Op.48: 13. Ich hab' im Traum geweinet's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Schumann: Dichterliebe / Beethoven & Schubert: Lieder". In this album, this song's track order is #13. Based on our statistics, Dichterliebe, Op.48: 13. Ich hab' im Traum geweinet's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dichterliebe, Op.48: 13. Ich hab' im Traum geweinet by Robert Schumann, Fritz Wunderlich, Hubert Giesen having a テンポ of 136 with a half-time of 68 テンポ and a double-time of 272 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kolokola (The Bells), Op. 35: I. Allegro, ma non tanto | Sergei Rachmaninoff, Oleg Melnikov, RTÉ Philharmonic Choir, Helen Field, Ivan Choupenitch, RTÉ National Symphony Orchestra | D♭ Major | 1 | 3B | 123 BPM | ||
Fauré: 2 Mélodies, Op. 46: No. 2, Clair de lune | Gabriel Fauré, Véronique Gens, Roger Vignoles | B♭ Minor | 0 | 3A | 70 BPM | ||
Songs of Travel: Bright is the ring of words | Ralph Vaughan Williams, Roderick Williams, Iain Burnside | C Major | 1 | 8B | 80 BPM | ||
Let Us Garlands Bring Op.18: Fear No More The Heat O' The Sun | Gerald Finzi, Bryn Terfel, Malcolm Martineau | C Minor | 0 | 5A | 67 BPM | ||
Dichterliebe, Op.48: 15. Aus alten Märchen winkt es | Robert Schumann, Fritz Wunderlich, Hubert Giesen | E Major | 1 | 12B | 151 BPM | ||
Requiem: VI. Rex Tremendae | Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra, Stuart Neill, John Relyea | C Minor | 1 | 5A | 108 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op. 61: No. 3, Lied mit Chor | Felix Mendelssohn, London Symphony Orchestra, Ceri-lyn Cissone, John Eliot Gardiner, The Monteverdi Choir | A Major | 0 | 11B | 99 BPM | ||
Chanson triste (version for voice and piano) | Henri Duparc, Paul Groves, Roger Vignoles | E♭ Major | 1 | 5B | 87 BPM | ||
Rigoletto / Act 3: "Bella figlia dell'amore...M'odi, ritorna a casa" | Giuseppe Verdi, Luciano Pavarotti, Joan Sutherland, Huguette Tourangeau, Sherrill Milnes, London Symphony Orchestra, Richard Bonynge | D♭ Major | 3 | 3B | 89 BPM | ||
Norma / Act 2: Mira, o Norma | Vincenzo Bellini, Joan Sutherland, Marilyn Horne, London Symphony Orchestra, Richard Bonynge | F Major | 1 | 7B | 170 BPM |