Gustav Mahler, Leonard Bernstein, New York Philharmonic's 'Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam' had a release date set for 1964. This song appears to be safe for all ages as it is not explicit. The track order of this song in Gustav Mahler, Leonard Bernstein's "Mahler: Symphony No. 5 in C-Sharp Minor" album is number 4 out of 5. On top of that, United States appears to be the country where this track was created. In terms of popularity, Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam by Gustav Mahler, Leonard Bernstein, New York Philharmonic to be Andante (at a walking pace) because the track has a tempo of 96 テンポ, a half-time of 48テンポ, and a double-time of 192 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 7 in A Major, Op. 92: II. Allegretto | Ludwig van Beethoven, Leonard Bernstein, New York Philharmonic | E Minor | 0 | 9A | 121 BPM | ||
Symphony No. 1 in D Major, Op. 25: III. Gavotta. Non troppo allegro | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 134 BPM | ||
Gayaneh, Ballet Suite: Gayaneh's Adagio | Aram Khachaturian, Bolshoi Theatre Orchestra, Yevgeny Svetlanov | A Major | 1 | 11B | 105 BPM | ||
Manon Lescaut / Act 2: Intermezzo | Giacomo Puccini, Metropolitan Opera Orchestra, James Levine | E Major | 1 | 12B | 63 BPM | ||
Symphony No. 3 in D Minor: V. Lustig im Tempo und keck im Ausdruck | Gustav Mahler, Ewa Podles, Cracow Boys' Choir, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit | C Major | 1 | 8B | 78 BPM | ||
Elégie in C minor Op. 24 - 1995 Remastered Version | Gabriel Fauré, Jacqueline du Pré | A♭ Major | 0 | 4B | 90 BPM | ||
The Firebird: Scene 1: The Firebird's Lullaby | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris Nelsons | B Major | 0 | 1B | 117 BPM | ||
Symphony No. 6 in B Minor, Op. 74, "Pathetique": Solitude [Again, as before, alone], Op. 73, No. 6 (trans. L. Stokowski) | Pyotr Ilyich Tchaikovsky, Bournemouth Symphony Orchestra, José Serebrier | B♭ Major | 0 | 6B | 45 BPM | ||
Peer Gynt-Suite Nr. 1, Op. 46: II. Ases dod (The Death of Ase) | Edvard Grieg, BBC Scottish Symphony Orchestra, Jerzy Maksymiuk | B Minor | 0 | 10A | 84 BPM | ||
Lyra Angelica: I. Adagio | William Alwyn, Richard Hickox, City of London Sinfonia, Rachel Masters | C Minor | 1 | 5A | 71 BPM |