Stefano Landi, L'Arpeggiata, Christina Pluhar's 'Alla guerra d'amor' came out on 2001. The duration of Alla guerra d'amor is about 3 minutes long, at 3:12. Based on our data, "Alla guerra d'amor" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Stefano Landi, L'Arpeggiata, Christina Pluhar's "Landi: Homo fugit velut umbra..." album is number 9 out of 15. Alla guerra d'amor is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Alla guerra d'amor by Stefano Landi, L'Arpeggiata, Christina Pluhar to be Adagio (slowly with great expression) because the track has a tempo of 68 テンポ, a half-time of 34テンポ, and a double-time of 136 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Boësset / Arr. Pluhar: Nos esprits libres et contents | Antoine Boësset, Christina Pluhar, L'Arpeggiata, Philippe Jaroussky | D Minor | 1 | 7A | 131 BPM | ||
In darkness let me dwell | John Dowland, Andreas Scholl, Edin Karamazov | E Major | 0 | 12B | 83 BPM | ||
Purcell / Arr. Pluhar: Timon of Athens, Z. 632: "Hark! How the Songsters of the Grove" | Henry Purcell, Christina Pluhar, L'Arpeggiata, Raquel Andueza | D Major | 2 | 10B | 128 BPM | ||
Purcell / Arr Pluhar: Who can from joy refrain? (Birthday Ode for the Duke of Gloucester), Z. 342/3: "A prince of glorious race descended" | Henry Purcell, Christina Pluhar, L'Arpeggiata, Raquel Andueza | G Minor | 1 | 6A | 102 BPM | ||
Pergolesi: Confitebor: IV. Redemptionem misit | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 2 | 11A | 120 BPM | ||
Cavalli / Arr Pluhar: La Calisto, Act 1: "Non è maggior piacere" | Francesco Cavalli, Christina Pluhar, L'Arpeggiata | D Minor | 3 | 7A | 123 BPM | ||
Suda sangue | Traditional, Christina Pluhar | E Major | 1 | 12B | 61 BPM | ||
Stabat Mater: 5. Quis est homo | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | B Minor | 1 | 10A | 80 BPM | ||
Jephte: Plorate filii Israel plorate | Giacomo Carissimi, Alexander Weimann, Les Voix Baroques | D♭ Major | 2 | 3B | 120 BPM | ||
Couperin, F: Première leçon de ténèbres pour le Mercredi saint: II. Aleph | François Couperin, William Christie, Sophie Daneman, Les Arts Florissants | D♭ Minor | 2 | 12A | 93 BPM |