Wolfgang Amadeus Mozart, Carlo Maria Giulini, Philharmonia Orchestra made "Mozart: Don Giovanni, K. 527, Act 1 Scene 20: "Trema, trema, o scellerato!" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Don Giovanni, Leporello)" available on 1997. The duration of Mozart: Don Giovanni, K. 527, Act 1 Scene 20: "Trema, trema, o scellerato!" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Don Giovanni, Leporello) is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Mozart: Don Giovanni, K. 527, Act 1 Scene 20: "Trema, trema, o scellerato!" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Don Giovanni, Leporello)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Carlo Maria Giulini's "Mozart - Don Giovanni" album is number 11 out of 72. In terms of popularity, Mozart: Don Giovanni, K. 527, Act 1 Scene 20: "Trema, trema, o scellerato!" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Don Giovanni, Leporello) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Mozart: Don Giovanni, K. 527, Act 1 Scene 20: "Trema, trema, o scellerato!" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Don Giovanni, Leporello) by Wolfgang Amadeus Mozart, Carlo Maria Giulini, Philharmonia Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 116 テンポ, a half-time of 58テンポ, and a double-time of 232 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio In G Minor, BWV 929 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Piano Sonata No. 14 In C Minor, K. 457: II. Adagio | Jenő Jandó, Wolfgang Amadeus Mozart | E♭ Major | 0 | 5B | 123 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Piano Concerto in A Minor, Op. 7: II. Romanze: Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 69 BPM | ||
Davide penitente, K. 469: Si pur sempre benigno, oh Dio (Chorus) | Wolfgang Amadeus Mozart, Trine Wilsberg Lund, Kristina Wahlin, Lothar Odinius, Gewandhaus Chamber Choir, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D Minor | 0 | 7A | 144 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Keyboard Sonatina In C Major, Op. 36, No. 3: II. Un Poco Adagio | Muzio Clementi, Balazs Szokolay | G Major | 0 | 9B | 170 BPM | ||
Adagio in E Major, K. 261 | Wolfgang Amadeus Mozart, Pinchas Zukerman, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 100 BPM | ||
Clarinet Concerto in B-Flat Major: Andante sostenuto | Gaetano Donizetti, Camerata De Budapest, Laszlo Kovacs | B♭ Minor | 0 | 3A | 69 BPM |