"West Side Story: Act II: End Credits" by Leonard Bernstein, Johnny Green, West Side Story Orchestra was released on 1961. With this song being about 5 minutes long, at 5:08, "West Side Story: Act II: End Credits" by Leonard Bernstein, Johnny Green, West Side Story Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of West Side Story (Original Motion Picture Soundtrack) by Leonard Bernstein. The song's track number on the album is #19 out of 19 tracks. West Side Story: Act II: End Credits is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since West Side Story: Act II: End Credits by Leonard Bernstein, Johnny Green, West Side Story Orchestra has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With West Side Story: Act II: End Credits being at 86 テンポ, the half-time would be 43 テンポ with a double-time of 172 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Camelot: The Seven Deadly Virtues | Frederick Loewe, Roddy McDowall, Franz Allers | A Minor | 3 | 8A | 135 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | E♭ Major | 0 | 5B | 79 BPM | ||
Casablanca - Suite | Max Steiner | E♭ Major | 2 | 5B | 83 BPM | ||
Romance (From "The Adventures of Robin Hood") | Erich Wolfgang Korngold, Renaud Capuçon, Stéphane Denève, Brussels Philharmonic | G Major | 1 | 9B | 77 BPM | ||
Camelot: Guenevere | Frederick Loewe, The Camelot Ensemble, Franz Allers | G Major | 4 | 9B | 112 BPM | ||
Up With End Credits - From "Up"/Score | Michael Giacchino | E♭ Major | 4 | 5B | 110 BPM | ||
Camelot: Camelot | Frederick Loewe, Richard Burton, Original Broadway Cast of Camelot, Franz Allers | F Major | 3 | 7B | 113 BPM | ||
Maria | Matt Cavenaugh | E♭ Major | 1 | 5B | 89 BPM | ||
A New Collar / Jock & Trusty / It's Jim Dear | Oliver Wallace | G Major | 1 | 9B | 81 BPM | ||
The Crapshooters' Dance | Peter Gallagher, Walter Bobbie, Guys and Dolls Orchestra (1992), Edward Strauss | D Minor | 3 | 7A | 153 BPM |