"Old American Songs: The Boatmen's Dance - Set One" by Aaron Copland, William Warfield, Columbia Symphony Orchestra was released on 1963. The duration of Old American Songs: The Boatmen's Dance - Set One is about 3 minutes long, at 3:15. Based on our data, "Old American Songs: The Boatmen's Dance - Set One" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 25 in Copland Conducts Copland - Expanded Edition (Fanfare for the Common Man, Appalachian Spring, Old American Songs (Complete), Rodeo: Four Dance Episodes) by Aaron Copland. Based on our statistics, Old American Songs: The Boatmen's Dance - Set One's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Old American Songs: The Boatmen's Dance - Set One by Aaron Copland, William Warfield, Columbia Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 122 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro - | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | G Major | 0 | 9B | 127 BPM | ||
Clarinet Concerto in C Minor, Op. 31: II. Adagio, ma senza rigore | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | F♯ Major | 0 | 2B | 52 BPM | ||
Fantasia (completed by K. Russman) | George Butterworth, BBC National Orchestra Of Wales, Kriss Russman | F Major | 1 | 7B | 82 BPM | ||
Symphony No. 1, "Afro-American": IV. Aspiration (Lento, con risoluzione) | William Grant Still, Fort Smith Symphony, John Jeter | F♯ Major | 0 | 2B | 141 BPM | ||
Symphony in E Minor, Op. 32, "Gaelic Symphony": II. Alla siciliana - Allegro vivace - Andante | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | F Major | 0 | 7B | 122 BPM | ||
Rodeo: 4 Dance Episodes: No. 4. Hoe-Down | Aaron Copland, Buffalo Philharmonic Orchestra | G Major | 3 | 9B | 125 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
L'apprenti sorcier | Paul Dukas, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | D♭ Major | 3 | 3B | 117 BPM | ||
Vaughan Williams & Greaves: Fantasia on Greensleeves | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | C Minor | 0 | 5A | 74 BPM | ||
Much Ado about Nothing Suite, Op. 11: IV. Intermezzo (Garden Scene) | Erich Wolfgang Korngold, Mineria Symphony Orchestra, Carlos Miguel Prieto | C Major | 3 | 8B | 85 BPM |