Jacques Offenbach, Michel Plasson, Danièle Castaing, Françoise Gayral, Jean Christophe Benoit, Luis Masson, Mady Mesple, Michel Trempont, Éliane Lublin, Orchestre Du Capitole De Toulouse made "Offenbach: La vie parisienne, Act 3: Septuor. "Votre habit a craqué dans le dos !" - Dialogue. "Cher amiral, vous avez de beaux éperons" (Le Baron, Pauline, Bobinet, Gabrielle, Léonie, Clara, Louise)" available on September 15, 2023. The duration of Offenbach: La vie parisienne, Act 3: Septuor. "Votre habit a craqué dans le dos !" - Dialogue. "Cher amiral, vous avez de beaux éperons" (Le Baron, Pauline, Bobinet, Gabrielle, Léonie, Clara, Louise) is about 3 minutes long, at 3:03. Based on our data, "Offenbach: La vie parisienne, Act 3: Septuor. "Votre habit a craqué dans le dos !" - Dialogue. "Cher amiral, vous avez de beaux éperons" (Le Baron, Pauline, Bobinet, Gabrielle, Léonie, Clara, Louise)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 22 in the song's album "Offenbach: La vie parisienne". In this album, this song's track order is #16. Furthermore, we believe that the track originated from France. In terms of popularity, Offenbach: La vie parisienne, Act 3: Septuor. "Votre habit a craqué dans le dos !" - Dialogue. "Cher amiral, vous avez de beaux éperons" (Le Baron, Pauline, Bobinet, Gabrielle, Léonie, Clara, Louise) is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Offenbach: La vie parisienne, Act 3: Septuor. "Votre habit a craqué dans le dos !" - Dialogue. "Cher amiral, vous avez de beaux éperons" (Le Baron, Pauline, Bobinet, Gabrielle, Léonie, Clara, Louise) by Jacques Offenbach, Michel Plasson, Danièle Castaing, Françoise Gayral, Jean Christophe Benoit, Luis Masson, Mady Mesple, Michel Trempont, Éliane Lublin, Orchestre Du Capitole De Toulouse having a テンポ of 111 with a half-time of 56 テンポ and a double-time of 222 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dvořák: Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso | Antonín Dvořák, Nikolaus Harnoncourt, Royal Concertgebouw Orchestra | G Major | 1 | 9B | 154 BPM | ||
Tale of Tsar Saltan, Op. 57: Flight of the Bumblebee: Flight of the Bumble-Bee | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Anthony Bramall | D Minor | 0 | 7A | 77 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | ||
Il barbiere di Siviglia (the Barber of Seville), Act I: Cavatina. Largo al factotum della citta | Gioachino Rossini, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | C Major | 3 | 8B | 100 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Orphée aux enfers, ACT 1, Premier tableau: la campagne aux environs d'Athènes: La femme dont le coeur (Eurydice) | Jacques Offenbach, Natalie Dessay, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | C Major | 1 | 8B | 106 BPM | ||
Aida / Act 2: Grand March | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E♭ Major | 0 | 5B | 110 BPM | ||
Donizetti: Lucia di Lammermoor, Act 3: "Il dolce suono ... Ardon gli incensi" (Lucia, Raimondo, Normanno, Chorus) | Gaetano Donizetti, Maria Callas, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | C Minor | 1 | 5A | 86 BPM | ||
Orphée aux enfers, ACT 1, Premier tableau: la campagne aux environs d'Athènes: Qui suis-je? Du théâtre antique (L'Opinion Publique) | Jacques Offenbach, Eva Podles/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | F Minor | 0 | 4A | 93 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM |