"Maddalena ai piedi di Cristo: No. 32 Recitativo Maddalena, Cristo, Fariseo "Cingan pure quest'alma"" by Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Maria Cristina Kiehr, Ulrich Messthaler, Gerd Türk was released on 1996. The duration of Maddalena ai piedi di Cristo: No. 32 Recitativo Maddalena, Cristo, Fariseo "Cingan pure quest'alma" is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Maddalena ai piedi di Cristo: No. 32 Recitativo Maddalena, Cristo, Fariseo "Cingan pure quest'alma"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 59 in Caldara: Maddalena ai piedi di Cristo by Antonio Caldara, René Jacobs. Based on our statistics, Maddalena ai piedi di Cristo: No. 32 Recitativo Maddalena, Cristo, Fariseo "Cingan pure quest'alma"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Maddalena ai piedi di Cristo: No. 32 Recitativo Maddalena, Cristo, Fariseo "Cingan pure quest'alma" by Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Maria Cristina Kiehr, Ulrich Messthaler, Gerd Türk is Allegro (fast, quick, and bright), since this song has a tempo of 126 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Se l'aura spira tutta vezzosa, F7.15 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón, Mariana Flores | G Minor | 1 | 6A | 176 BPM | ||
Stabat Mater: V. Tui nati vulnerati | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Il ritorno d'Ulisse in patria, SV 325, Act I: Prologue. Mortal cosa son io | Claudio Monteverdi, Hana Blažíková, Gianluca Buratto, Carlo Vistoli, Silvia Frigato, English Baroque Soloists, John Eliot Gardiner | A Minor | 1 | 8A | 116 BPM | ||
Suite in A Minor: VI. Menuet de Poitou et son Double | Louis Couperin, Laurence Cummings | A♭ Minor | 2 | 1A | 118 BPM | ||
Amarilli mia bella | Giulio Caccini, Andreas Scholl, Edin Karamazov | E Major | 0 | 12B | 91 BPM | ||
Sinfonia à Violoncello Solo D Major: Adagio | Antonio Caldara, Michal Stahel, Martin Gedeon, Jan Cizmar, Soma Denyés | F♯ Major | 1 | 2B | 115 BPM | ||
"Selve amiche, ombrose piante" | Antonio Caldara, Beniamino Gigli, Rinaldo Zamboni, Vito Carnevali, Unknown | A Minor | 2 | 8A | 65 BPM | ||
Charpentier: Sans frayeur dans ce bois, H. 467 | Marc-Antoine Charpentier, Jean Rondeau, Lea Desandre, Myriam Rignol | F♯ Major | 1 | 2B | 139 BPM | ||
Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
Concerto 2 in D Major, Op. 7: I. Adagio | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | A♭ Major | 1 | 4B | 191 BPM |