Francesco Durante, Holly Bewlay, Sarah Rhee's 'Danza, danza, fanciulla gentile' came out on June 22, 2023. With Danza, danza, fanciulla gentile being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Holly Bewlay, Sarah Rhee's "HOLLY: Twenty-four Italian Songs and Arias" album is number 7 out of 24. On top of that, United States appears to be the country where this track was created. Danza, danza, fanciulla gentile is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Danza, danza, fanciulla gentile by Francesco Durante, Holly Bewlay, Sarah Rhee to be Adagio (slowly with great expression) because the track has a tempo of 75 テンポ, a half-time of 38テンポ, and a double-time of 150 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Evening Songs, Op. 3: No. 7, Když jsem se díval do nebe | Antonín Dvořák, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | G Minor | 1 | 6A | 97 BPM | ||
De lamentatione Jeremiæ prophetæ, Lectio terza: No. 15, Largo comodo. Pupilli facti sumus | Francesco Durante, Monika Frimmer, Stefan Vinke, Bernhard Husgen, Kölner Kammerchor, Collegium Cartusianum, Peter Neumann | E Major | 1 | 12B | 115 BPM | ||
Voici que le printemps, L. 6 | Dilyana Georgieva, Galina Apostolova | F Minor | 1 | 4A | 129 BPM | ||
Der Erlkönig | Melitza Torres | E Major | 1 | 12B | 101 BPM | ||
A te: A te | Emilio Arrieta, Sabina Puértolas, Rubén Fernández Aguirre | G Minor | 3 | 6A | 82 BPM | ||
Concerto for Organ No. 2: I. Affetuoso - Presto | Tovijs Lifsics, Francesco Durante, Latvian Philharmonic Chamber Orchestra | G Minor | 2 | 6A | 123 BPM | ||
Vergin tutto amor | Francesco Durante, Park Yongmin | D♭ Major | 2 | 3B | 137 BPM | ||
Sechs deutsche Lieder, Opus 41: Nr. 3 An Mignon (Arr. für Stimme und Gitarre von Boris Tesic) | Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann | D♭ Major | 2 | 3B | 132 BPM | ||
Strength to My World | Ernesto Vallini, Laura Millocca, Valhalla Orquestra, Greg Dramund | D♭ Minor | 1 | 12A | 59 BPM | ||
Delius: Appalachia: Variation XIII. L'istesso tempo | Frederick Delius, Sir John Barbirolli, Ambrosian Singers, Hallé | C Major | 1 | 8B | 86 BPM |