Eduardo di Capua, Alfredo Mazzucchi, José Carreras, Plácido Domingo, Luciano Pavarotti, Orchestre de Paris, James Levine's ''O sole mio (Arr. Schifrin) - Live' came out on 1998. The duration of 'O sole mio (Arr. Schifrin) - Live is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. 'O sole mio (Arr. Schifrin) - Live's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Di Capua, Mazzucchi: 'O sole mio (Arr. Schifrin) [Live in Paris / 1998] and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. 'O sole mio (Arr. Schifrin) - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 'O sole mio (Arr. Schifrin) - Live by Eduardo di Capua, Alfredo Mazzucchi, José Carreras, Plácido Domingo, Luciano Pavarotti, Orchestre de Paris, James Levine is Andante (at a walking pace), since this song has a tempo of 77 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act 2: O Dieu! De quelle ivresse | Jacques Offenbach, Plácido Domingo, Orchestre de la Suisse Romande, Richard Bonynge | C Major | 2 | 8B | 77 BPM | ||
Vieni Sul Mar' | Traditional, Luciano Pavarotti, Chorus, Orchestra, Henry Mancini, Unknown Orchestra | F Major | 3 | 7B | 82 BPM | ||
Non t'amo più | Francesco Paolo Tosti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | B♭ Minor | 1 | 3A | 80 BPM | ||
Massenet: Werther, Act 3: "Pourquoi me réveiller" (Werther) | Jules Massenet, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | F♯ Minor | 3 | 11A | 83 BPM | ||
Tu, ca nun chiagne! (Arr. Schifrin) - Live | Ernesto de Curtis, José Carreras, Plácido Domingo, Luciano Pavarotti, Orchestre de Paris, James Levine | G Minor | 3 | 6A | 66 BPM | ||
"Volver" - Arr. Roberto Pansera | Carlos Gardel, Plácido Domingo, Studio Orchester, Roberto Pansera | B Major | 3 | 1B | 108 BPM | ||
Pagliacci: Vesti la giubba | Ruggero Leoncavallo, Luciano Pavarotti, Emerson Buckley | E Minor | 2 | 9A | 81 BPM | ||
Torna a Surriento (Arr. Chiaramello) | Ernesto De Curtis, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | C Minor | 0 | 5A | 69 BPM | ||
Torna a Surriento - Live | Ernesto de Curtis, José Carreras, Plácido Domingo, Luciano Pavarotti, Los Angeles Philharmonic, Zubin Mehta | E♭ Minor | 3 | 2A | 84 BPM | ||
La Gioconda / Act 2: "Cielo e mar" - Live | Amilcare Ponchielli, Luciano Pavarotti, Orchestra dell'ater, Leone Magiera | E♭ Major | 3 | 5B | 86 BPM |