"Suite dalecarlienne: I. Preludium. Dimanche au village" by Helena Munktell, Gävle Symphony Orchestra, Tobias Ringborg was released on January 1, 2005. The duration of Suite dalecarlienne: I. Preludium. Dimanche au village is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Suite dalecarlienne: I. Preludium. Dimanche au village's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Helena Munktell, Gävle Symphony Orchestra, Tobias Ringborg's "Munktell: Orchestral Works" album is number 7 out of 10. On top of that, Sweden appears to be the country where this track was created. Suite dalecarlienne: I. Preludium. Dimanche au village is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite dalecarlienne: I. Preludium. Dimanche au village by Helena Munktell, Gävle Symphony Orchestra, Tobias Ringborg to be Adagio (slowly with great expression) because the track has a tempo of 76 テンポ, a half-time of 38テンポ, and a double-time of 152 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carnival of the Animals, R. 125: I. Introduction and Royal March of the Lions | Camille Saint-Saëns, Atlanta Symphony Orchestra, Yoel Levi, Itzhak Perlman | E Major | 0 | 12B | 84 BPM | ||
Suite dalecarlienne: II. Andante. Le lac de Siljan | Helena Munktell, Gävle Symphony Orchestra, Tobias Ringborg | B Major | 1 | 1B | 127 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | F Major | 6 | 7B | 154 BPM | ||
Kleines Trio: III. Scherzo finale | Helena Munktell, Tobias Ringborg, Kristina Winiarski, Peter Friis Johansson | B Minor | 2 | 10A | 98 BPM | ||
Tristan und Isolde, WWV 90: VII, Schmachtende Liebe, jauchzende Lust - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto (1915 Version) | Jean Sibelius, San Francisco Symphony, Esa-Pekka Salonen | E♭ Major | 1 | 5B | 76 BPM | ||
Massenet: Don Quichotte, Act 2: Interlude | Jules Massenet, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
I Firenze: VII. Försvunnen, min sol! | Helena Munktell, Joel Annmo, Tobias Ringborg, Swedish Radio Symphony Orchestra | E♭ Major | 1 | 5B | 110 BPM | ||
R. Strauss: Sinfonia Domestica, Op. 53, TrV 209: IV. Scherzo | Richard Strauss, Munich Philharmonic Orchestra, Zubin Mehta | D Major | 1 | 10B | 86 BPM |