On January 1, 1961, the song "That's Where I Come In" was released by Edward M. Favor. The duration of That's Where I Come In is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. That's Where I Come In's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Phono-Cylinders, Vol. 2: Edited and from the Collection of George A. Blacker". In this album, this song's track order is #2. In terms of popularity, That's Where I Come In is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With That's Where I Come In by Edward M. Favor having a テンポ of 118 with a half-time of 59 テンポ and a double-time of 236 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Don't Want to Get Well | Van and Schenck | B♭ Major | 2 | 6B | 101 BPM | ||
Peter Gink | Various Artists | C Minor | 2 | 5A | 116 BPM | ||
I'd Rather Be Blue Over You | Fanny Brice | D Major | 1 | 10B | 71 BPM | ||
Steamboat Bill | Arthur Collins | D♭ Major | 3 | 3B | 87 BPM | ||
Flat Foot Floogie | The Ink Spots | F Major | 3 | 7B | 89 BPM | ||
Don't Let's Be Beastly to the Germans | Noel Coward | B♭ Major | 1 | 6B | 128 BPM | ||
I'm Gonna Pin My Medal on the Girl I Left Behind | Peerless Quartet | A♭ Major | 1 | 4B | 51 BPM | ||
The Stars and Stripes Forever (1929 Broadcast) | John Philip Sousa, New Sousa Band, Keith Brion | E♭ Major | 1 | 5B | 123 BPM | ||
Pack Up Your Troubles In Your Old Kit-Bag | Murray Johnson | G Major | 4 | 9B | 123 BPM | ||
Your King and Country Want You | Edna Thornton | D Major | 2 | 10B | 70 BPM |