Franz Schubert, Alexander Markov, Dmitriy Cogan made "Schubert / Arr. Wilhelmj for Violin and Piano: Ave Maria, Op. 52 No. 6, D. 839" available on June 1, 1995. With this song being about 5 minutes long, at 4:47, "Schubert / Arr. Wilhelmj for Violin and Piano: Ave Maria, Op. 52 No. 6, D. 839" by Franz Schubert, Alexander Markov, Dmitriy Cogan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 27 in the song's album "The Lark Ascending". In this album, this song's track order is #13. Furthermore, we believe that the track originated from France. In terms of popularity, Schubert / Arr. Wilhelmj for Violin and Piano: Ave Maria, Op. 52 No. 6, D. 839 is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Schubert / Arr. Wilhelmj for Violin and Piano: Ave Maria, Op. 52 No. 6, D. 839 by Franz Schubert, Alexander Markov, Dmitriy Cogan having a テンポ of 108 with a half-time of 54 テンポ and a double-time of 216 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Impromptu No. 3 in G-Flat Major, Op.90, D 899 | Clare Hammond | F♯ Major | 0 | 2B | 175 BPM | ||
Prelude No. 1 in C Major | Clair de Lune | C Major | 2 | 8B | 79 BPM | ||
Orchestral Suite No. 3 in D major, BWV 1068: II. Air | Johann Sebastian Bach, Joshua Bell, Academy of St. Martin in the Fields | D Major | 2 | 10B | 91 BPM | ||
Die Zauberharfe, D. 644: Overture, "Rosamunde" | Franz Schubert, Prague Sinfonia, Christian Benda | C Major | 1 | 8B | 138 BPM | ||
Mass No. 6 in E-Flat Major, D. 950: Sanctus: Sanctus Dominus | Franz Schubert, Birte Kulawik, Dorothea Craxton, Cornelia Rosenthal, Raimund Minarschik, Rolf Ehlers, Klaus Schredl, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D Major | 3 | 10B | 142 BPM | ||
Ellens Gesang III ("Ave Maria"), Op. 52, No. 6, D. 839 | Caffee Concerto | B♭ Major | 2 | 6B | 76 BPM | ||
Spartacus: Adagio (arr. J. Galway for flute and piano) | James Galway, Aram Khachaturian, Kenneth Smith, Paul Rhodes | A♭ Major | 1 | 4B | 65 BPM | ||
Touch Her Soft Lips and Part (From "Henry V") | William Walton, Itzhak Perlman, John Williams, Boston Pops Orchestra | B Minor | 1 | 10A | 93 BPM | ||
Bagatelle No. 25 in a Minor, WoO 59 : "Für Elise" | Rik | D♭ Major | 0 | 3B | 64 BPM | ||
Orpheus' Klage (Orfeo ed Euridice) | Christoph Willibald Gluck, Wilhelm Kempff, Matti Raekallio | D Minor | 0 | 7A | 69 BPM |