"Les Fontaines" by Reynaldo Hahn, Susan Graham was released on January 1, 1991. The duration of Les Fontaines is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Les Fontaines's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Reynaldo Hahn, Susan Graham, Roger Vignoles's "La Belle Époque: The Songs of Reynaldo Hahn" album is number 8 out of 24. Based on our statistics, Les Fontaines's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Les Fontaines by Reynaldo Hahn, Susan Graham to be Allegro (fast, quick, and bright) because the track has a tempo of 135 テンポ, a half-time of 68テンポ, and a double-time of 270 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Habanera | Emmanuel Chabrier, Janina Fialkowska | A Major | 5 | 11B | 100 BPM | ||
Kinderszenen, Op. 15: No. 10 Fast zu ernst | Robert Schumann, Wilhelm Kempff | G Major | 0 | 9B | 69 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Three Romances, Op. 11: No. 1 in E-Flat Minor, Andante | Clara Schumann, Sara Costa | E♭ Minor | 1 | 2A | 134 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Gavotte et six doubles, RCT 5/7: Gavotte | Jean-Philippe Rameau, Bruce Liu | A Minor | 0 | 8A | 146 BPM | ||
Infidélité | Reynaldo Hahn, Susan Graham | E♭ Major | 0 | 5B | 129 BPM | ||
Variations On A Theme By Chopin: Variation 1. Tranquillo e molto amabile | Federico Mompou, Daniil Trifonov | A Major | 0 | 11B | 66 BPM | ||
Hahn: Ciboulette, Act III: Scène. "C'est le moment inévitable de la chanson" - Valse "Amour qui meurs, amour qui passes" (La Comtesse, Le Marquis, Ciboulette, Chœur, Duparquet, Antonin, Madame Pingret, L'Huissier, La Marquise, La Baronne) | Reynaldo Hahn, Cyril Diederich, Carole Bajac, Claude Vierne, Colette Alliot-Lugaz, Ensemble Choral Jean Laforge, Jean Christophe Benoit, José van Dam, Laurence Badie, Mady Mesple, Marcel Quillevere, Nicolai Gedda, Monte-Carlo Philharmonic Orchestra | F Major | 1 | 7B | 176 BPM | ||
Melodie From "Orfeo ed Euridice", Wq. 30 (Arr. Giovanni Sgambati) | Christoph Willibald Gluck, Hélène Grimaud | D Minor | 0 | 7A | 70 BPM |