"3 Pieces for Violin and Piano: No. 1, Andante religioso, Op. 78" by Mel Bonis, Sandrine Cantoreggi, Sheila Arnold was released on October 20, 2023. The duration of 3 Pieces for Violin and Piano: No. 1, Andante religioso, Op. 78 is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. 3 Pieces for Violin and Piano: No. 1, Andante religioso, Op. 78's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mel Bonis, Sheila Arnold, Sandrine Cantoreggi, Michael Faust, Gustav Rivinius's "Mel Bonis: Entre Soir et Matin" album is number 5 out of 20. On top of that, Germany appears to be the country where this track was created. Based on our statistics, 3 Pieces for Violin and Piano: No. 1, Andante religioso, Op. 78's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 3 Pieces for Violin and Piano: No. 1, Andante religioso, Op. 78 by Mel Bonis, Sandrine Cantoreggi, Sheila Arnold to be Allegro (fast, quick, and bright) because the track has a tempo of 128 テンポ, a half-time of 64テンポ, and a double-time of 256 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cancons i danses: Canco i dansa No. 8 | Federico Mompou, Olena Kushpler | G Major | 0 | 9B | 73 BPM | ||
Douze valses, Le ruban dénoué: No. 3, Souvenir… Avenir… | Reynaldo Hahn, Huseyin Sermet, Kun-Woo Paik | E Major | 1 | 12B | 108 BPM | ||
Woodland Sketches, Op. 51: No. 1, To a Wild Rose | Edward MacDowell, John O'Conor | A Major | 0 | 11B | 71 BPM | ||
Nocturne (Arr. for Violin and Orchestra by Matthias Spindler) | Lili Boulanger, Luka Faulisi, Martyna Pastuszka, {oh!} Orkiestra | C Major | 1 | 8B | 80 BPM | ||
Po zarostlém chodníčku - Series I: IV. Frýdecká panna Maria | Leoš Janáček, Gianluigi Daniele | D♭ Minor | 1 | 12A | 129 BPM | ||
3 Nocturnes for Cello and Guitar: Nocturne No. 2 in F Major - Adagio cantabile | Franz Burgmüller, Anja Lechner, Pablo Marquez | F Major | 0 | 7B | 123 BPM | ||
Prélude, Op. 57 No. 1 | Anatoly Lyadov, Yoko Kikuchi | D♭ Major | 0 | 3B | 88 BPM | ||
6 Etudes de concert, Op. 35: II. Automne | Cécile Chaminade, Mark Viner | D♭ Major | 0 | 3B | 79 BPM | ||
Debussy: Beau Soir, L. 6 | Claude Debussy, Kyung Wha Chung, Kevin Kenner | E Major | 0 | 12B | 107 BPM | ||
33 Miniatures for Piano (Excerpts): No. 32, Sostenuto | Giya Kancheli, Elisaveta Blumina | E Minor | 0 | 9A | 76 BPM |