Nodar Gabunia's 'Aria and 30 Variations (The Goldberg Variations), BWV 988: Aria' came out on March 22, 2011. The duration of Aria and 30 Variations (The Goldberg Variations), BWV 988: Aria is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Aria and 30 Variations (The Goldberg Variations), BWV 988: Aria's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Nodar Gabunia's "J.S. Bach: The Goldberg Variations" album is number 1 out of 32. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Aria and 30 Variations (The Goldberg Variations), BWV 988: Aria is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Aria and 30 Variations (The Goldberg Variations), BWV 988: Aria by Nodar Gabunia to be Andante (at a walking pace) because the track has a tempo of 96 テンポ, a half-time of 48テンポ, and a double-time of 192 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Marcha De Los Sacerdotes | Orquesta Sinfonica Y Coros De Baden-Baden | F Major | 1 | 7B | 73 BPM | ||
Chopin: Nocturne No. 17 in B Major, Op. 62 No. 1 | Frédéric Chopin, Elisabeth Leonskaja | F♯ Major | 1 | 2B | 138 BPM | ||
Orchestersuite Nr. 3, BWV 1068: II. Air | Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt | B Minor | 2 | 10A | 81 BPM | ||
3 Solfeggios, Wq. 117, Solfeggio in C minor, "Solfegietto" | Samantha Dougherty | C Minor | 2 | 5A | 125 BPM | ||
Piano Concerto No. 2 in F, Op. 102: II. Andante | Dmitri Shostakovich, Dmitri Alexeev/English Chamber Orchestra/Jerzy Maksymiuk, Jerzy Maksymiuk, English Chamber Orchestra | C Minor | 0 | 5A | 166 BPM | ||
Carmen Fantasy, Op. 25: II. Lento assai | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | A Minor | 1 | 8A | 82 BPM | ||
Divertimento n.1 in Re Maggiore K 136 | Chamber Orchestra Armonie | D Major | 2 | 10B | 157 BPM | ||
Concerto Grosso Op.25-2 D Major 'Watermusic Suite No.2': Menuet | I Musici Di San Marco, Alberto Lizzio | D Major | 2 | 10B | 110 BPM | ||
Sonata No. 8 para piano in C Minor, Op. 13 " Sonata pathétique " : II. Adagio cantabile | Wolf Rottmann | A♭ Major | 0 | 4B | 173 BPM | ||
Rêverie, L. 68 | Claude Debussy, Peter Frankl | E Minor | 3 | 9A | 111 BPM |