"Le Roi David, H 37, Part. 3: Mort de David" by Arthur Honegger, Ensemble Vocal de Lausanne, Lucie Chartin, Daniel Reuss, L'Orchestre de la Suisse Romande had its release date on February 3, 2017. This song is about six minutes long, preciously at 5:47, making this song fairly long compared to other songs. The track order of this song in Arthur Honegger, L'Orchestre de la Suisse Romande, Daniel Reuss, Athena Poullos, Lucie Chartin, Marianne Beate Kielland, Thomas Walker, Christophe Balissat, Ensemble Vocal de Lausanne's "Honegger: Le Roi David" album is number 27 out of 27. Le Roi David, H 37, Part. 3: Mort de David is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Roi David, H 37, Part. 3: Mort de David by Arthur Honegger, Ensemble Vocal de Lausanne, Lucie Chartin, Daniel Reuss, L'Orchestre de la Suisse Romande to be Lento (slowly) because the track has a tempo of 58 テンポ, a half-time of 29テンポ, and a double-time of 116 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Six Poésies de Jean Cocteau pour Chant et Piano, H 51 (1923): No. 2, Locutions | Arthur Honegger, Holger Falk, Steffen Schleiermacher | E Minor | 0 | 9A | 106 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
Vetrate di chiesa, P. 150: II. San Michele Arcangelo | Ottorino Respighi, Orchestre Philharmonique Royal de Liège, John Neschling | E Minor | 1 | 9A | 109 BPM | ||
Variations on a Theme by Haydn in B-Flat Major, Op. 56a: VII. Grazioso | Johannes Brahms, Sir Charles Mackerras, Scottish Chamber Orchestra | E Minor | 0 | 9A | 101 BPM | ||
Symphony No. 3: V. Lustig im Tempo und keck im Ausdruck | Gustav Mahler, Berliner Philharmoniker, Gustavo Dudamel, Gerhild Romberger, Damen des Rundfunkchors Berlin, Knaben des Staats- und Domchors Berlin | F Major | 1 | 7B | 111 BPM | ||
Symphony No. 9 in D Major: II. Ländler: No. 1, Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | D♭ Major | 0 | 3B | 86 BPM | ||
Sonate, Op. 71: II. Nocturne – Presque adagio | Charles Koechlin, Julien Hardy, Simon Zaoui | E♭ Major | 0 | 5B | 77 BPM | ||
Les mariés de la tour Eiffel: No. 3, Discours du general (Polka) | Francis Poulenc, Georges Auric, Arthur Honegger, Darius Milhaud, Germaine Tailleferre, Wynton Marsalis, Judith Lynn Stillman | A♭ Major | 3 | 4B | 136 BPM | ||
Trombone Concertino in E-flat Major, Op. 4: I. Allegro maestoso II | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | F Minor | 1 | 4A | 102 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM |