Jacques Offenbach, Mady Mesplé - Orchestre Du Capitole De Toulouse - Michel Plasson, Orchestre Du Capitole De Toulouse's 'Orphée aux enfers - Opéra-féérie en 4 actes. Livret d'Hector Crémieux & Ludovic Halévy - Acte I - N°6 - Invocation à la mort : La mort m'apparaît (Eurydice)' came out on 1979. The duration of Orphée aux enfers - Opéra-féérie en 4 actes. Livret d'Hector Crémieux & Ludovic Halévy - Acte I - N°6 - Invocation à la mort : La mort m'apparaît (Eurydice) is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Orphée aux enfers - Opéra-féérie en 4 actes. Livret d'Hector Crémieux & Ludovic Halévy - Acte I - N°6 - Invocation à la mort : La mort m'apparaît (Eurydice)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 49 in the song's album "Offenbach: Orphée aux enfers". In this album, this song's track order is #11. Furthermore, we believe that the track originated from France. Orphée aux enfers - Opéra-féérie en 4 actes. Livret d'Hector Crémieux & Ludovic Halévy - Acte I - N°6 - Invocation à la mort : La mort m'apparaît (Eurydice) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Orphée aux enfers - Opéra-féérie en 4 actes. Livret d'Hector Crémieux & Ludovic Halévy - Acte I - N°6 - Invocation à la mort : La mort m'apparaît (Eurydice) by Jacques Offenbach, Mady Mesplé - Orchestre Du Capitole De Toulouse - Michel Plasson, Orchestre Du Capitole De Toulouse having a テンポ of 85 with a half-time of 42 テンポ and a double-time of 170 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba" | George Frideric Handel, The English Concert, Trevor Pinnock | A Major | 3 | 11B | 118 BPM | ||
Le nozze di Figaro, K.492 - Original version, Vienna 1786 - Act 4: Le Nozze di Figaro, K. 492 - "Contessa, perdona...Ah tutti contenti" | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Ambrosian Opera Chorus, Lucia Popp, Barbara Hendricks, José van Dam, Agnes Baltsa, Felicity Palmer, Aldo Baldin, Neil Jenkins, Robert Lloyd, Donald Maxwell, Cathryn Pope, Catherine Denly, John Constable, Ruggero Raimondi | C Major | 3 | 8B | 125 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Kulka János | E♭ Major | 2 | 5B | 89 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 3: Bacchanale | Camille Saint-Saëns, Orchestre de Paris, Daniel Barenboim | B Major | 3 | 1B | 94 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Wiener Blut: Overture: Wiener Blut (Vienna Blood), Op. 354 | Strauss Festival Orchestra, Johann Strauss II | C Major | 1 | 8B | 178 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | F♯ Minor | 1 | 11A | 79 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 1, Promenade I | Modest Mussorgsky, Berliner Philharmoniker, Sir Simon Rattle | F Major | 0 | 7B | 88 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: 5. Spacírka. Poco Adagio - Vivace | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | D♭ Major | 4 | 3B | 84 BPM | ||
Water Music: Suite No. 2 in D Major, HWV 349, II. Alla Hornpipe | George Frideric Handel, Pierre Boulez, New York Philharmonic | D Major | 2 | 10B | 99 BPM |