Gruselkabinett, Gudrun Landgrebe, Friedrich Georg Beckhaus, Annina Braunmiller, Boris Tessmann, Max Felder, Oscar Wilde's 'Kapitel 19 - Folge 50: Das Gespenst von Canterville' came out on March 18, 2011. The duration of Kapitel 19 - Folge 50: Das Gespenst von Canterville is about 3 minutes long, at 3:00. Based on our data, "Kapitel 19 - Folge 50: Das Gespenst von Canterville" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 19 out of 24 in Folge 50: Das Gespenst von Canterville by Gruselkabinett. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Kapitel 19 - Folge 50: Das Gespenst von Canterville is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Kapitel 19 - Folge 50: Das Gespenst von Canterville by Gruselkabinett, Gudrun Landgrebe, Friedrich Georg Beckhaus, Annina Braunmiller, Boris Tessmann, Max Felder, Oscar Wilde is Larghetto (rather broadly), since this song has a tempo of 66 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Folge 151: Die Topharbraut - Kapitel 14 | Gruselkabinett, E. Heron, H. Heron, H.P. Lovecraft, Hanns Heinz Ewers, George Allan England, Rolf Berg, Nils Kreutinger, Gerhard Fehn, Mia Geese, Fabienne Hesse, Marc Gruppe, Patrick Bach, Martina Linn-Naumann, Claudia Urbschat-Mingues | F♯ Minor | 6 | 11A | 59 BPM | ||
Wahn und Wahnsinn Kapitel 3 | Midnight Tales, Christoph Piasecki | C Major | 4 | 8B | 101 BPM | ||
Kapitel 17 - Folge 171: Das Gespensterschiff | Gruselkabinett, Wilhelm Hauff, Jannik Endemann, Thomas Balou Martin, Willi Röbke, Bene Gutjan, Bernd Kreibich, Marc Gruppe | D♭ Major | 7 | 3B | 54 BPM | ||
Kapitel 2 - Folge 100: Träume im Hexenhaus | Gruselkabinett, Hannes Maurer, Dagmar von Kurmin, Wilfried Herbst, Horst Naumann, Hans-Georg Panczak, H.P. Lovecraft | D♭ Major | 5 | 3B | 107 BPM | ||
Kapitel 11 - Folge 2: Das Amulett der Mumie | Gruselkabinett, Janina Sachau, Herbert Schäfer, Christian Rode, Jürg Löw, Bram Stoker | B♭ Minor | 7 | 3A | 84 BPM | ||
Jenseits 2.0 Kapitel 4 | Midnight Tales, Christoph Piasecki | E♭ Major | 2 | 5B | 80 BPM | ||
Teil 5 - Cthulhus Ruf | Phantastische Geschichten, H.P. Lovecraft, Gerrit Schmidt-Foß | D♭ Major | 3 | 3B | 123 BPM | ||
Kapitel 4 - Folge 66/67: Der Schatten über Innsmouth (komplett) | Gruselkabinett, H.P. Lovecraft, Louis Friedemann Thiele, Reinhilt Schneider, Ronald Nitschke, Jessy Rameik, Hans-Jürgen Wolf | D♭ Major | 5 | 3B | 130 BPM | ||
Kapitel 37 - Folge 24/25: Der Fall Charles Dexter Ward (komplett) | Gruselkabinett, H.P. Lovecraft, Ernst Meincke, Hans-Werner Bussinger, Cornelia Meinhardt, Frank Schaff | A Minor | 5 | 8A | 117 BPM | ||
Kapitel 15 - Folge 5: Die Unschuldsengel | Gruselkabinett, Rita Engelmann, Regina Lemnitz, David Nathan, Henry James | A♭ Major | 5 | 4B | 171 BPM |