"Gebet" by Hugo Wolf, Ian Bostridge, Antonio Pappano was released on July 10, 2006. The duration of Gebet is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Gebet's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wolf: Lieder by Hugo Wolf, Ian Bostridge. The song's track number on the album is #15 out of 24 tracks. Based on our statistics, Gebet's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Gebet by Hugo Wolf, Ian Bostridge, Antonio Pappano has a tempo of 132 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Gebet being at 132 テンポ, the half-time would be 66 テンポ with a double-time of 264 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rückert Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Andreas Schmidt, Cord Garben | D♭ Major | 0 | 3B | 62 BPM | ||
3 Lieder, Op.12: 2. Liebst du um Schonheit | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | D♭ Major | 0 | 3B | 78 BPM | ||
5 Canons on Latin Texts, Op. 16: Dormi Jesu | Anton Webern, Jennifer Welch-Babidge, Charles Neidich, Michael Lowenstern | D♭ Major | 0 | 3B | 110 BPM | ||
Begegnung | Hugo Wolf, Ian Bostridge, Antonio Pappano | A♭ Major | 2 | 4B | 54 BPM | ||
An die ferne Geliebte, Op. 98: No. 1, Auf dem Hügel sitz ich spähend | Ludwig van Beethoven, Mark Padmore, Mitsuko Uchida | E♭ Major | 0 | 5B | 174 BPM | ||
Fauré: 5 Mélodies de Venise, Op. 58: No. 1, Mandoline | Gabriel Fauré, Véronique Gens, Roger Vignoles | E♭ Minor | 1 | 2A | 123 BPM | ||
Symphony No. 2 in B-Flat Major, Op. 52 "Hymn Of Praise": VI. Allegro un poco agitato "Stricke des Todes hatten uns umfangen" | Felix Mendelssohn, Werner Güra, Deutsche Kammerphilharmonie Bremen, Frieder Bernius | C Major | 1 | 8B | 104 BPM | ||
Six Moravian Choruses: V. The Wild Rose | Leoš Janáček, Cappella Amsterdam, Daniel Reuss | A♭ Major | 1 | 4B | 137 BPM | ||
Petite messe solennelle: XIII. Credo. Et resurrexit | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
Les 7 paroles du Christ: Introduction, “O vos omnes” | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | D Minor | 1 | 7A | 112 BPM |