"Sinfonia antartica "Symphony No. 7": I. Prelude. Andante maestoso" by Ralph Vaughan Williams, Elizabeth Watts, BBC Symphony Chorus, BBC Symphony Orchestra, Martyn Brabbins was released on March 3, 2023. Sinfonia antartica "Symphony No. 7": I. Prelude. Andante maestoso appears to be safe for all ages as it is not explicit. This song is part of Vaughan Williams: Sinfonia antartica (Symphony No. 7) & Symphony No. 9 by Ralph Vaughan Williams, BBC Symphony Orchestra, Martyn Brabbins. The song's track number on the album is #1 out of 9 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Sinfonia antartica "Symphony No. 7": I. Prelude. Andante maestoso is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Sinfonia antartica "Symphony No. 7": I. Prelude. Andante maestoso by Ralph Vaughan Williams, Elizabeth Watts, BBC Symphony Chorus, BBC Symphony Orchestra, Martyn Brabbins has a tempo of 116 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Sinfonia antartica "Symphony No. 7": I. Prelude. Andante maestoso being at 116 テンポ, the half-time would be 58 テンポ with a double-time of 232 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
Appalachian Spring: VII. Doppio movimento | Aaron Copland, Leonard Bernstein, New York Philharmonic | D♭ Major | 1 | 3B | 78 BPM | ||
Dances for Harp and Orchestra, L. 103: 1. Danse sacrée | Lavinia Meijer, Amsterdam Sinfonietta | D Minor | 0 | 7A | 81 BPM | ||
Symphony No. 3 in F major, Op. 90: III. Poco allegretto | Seattle Symphony Orchestra | C Minor | 0 | 5A | 92 BPM | ||
String Quartet No. 1 in D Major, Op. 11, TH 111: II. Andante cantabile (Version for String Orchestra) | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | B♭ Major | 1 | 6B | 93 BPM | ||
Beau soir, L. 6 (Arranged for Violin and Piano by Jascha Heifetz) | Claude Debussy, Joshua Bell | F♯ Minor | 0 | 11A | 86 BPM | ||
English Folk Song Suite: 1. March: Seventeen come Sunday | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | F Minor | 2 | 4A | 121 BPM | ||
Rosa Mundi | Paul Lewis, Royal Ballet Sinfonia, Gavin Sutherland | C Minor | 1 | 5A | 141 BPM | ||
Vaughan Williams: Job, Scene 1: Introduction | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | G Minor | 0 | 6A | 71 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM |