Ludwig van Beethoven, Gottlob Frick, Bavarian State Orchestra, Ferenc Fricsay's 'Fidelio Op.72 / Act 1: "Hat man nicht auch Gold beineben"' came out on November 14, 2020. The duration of Fidelio Op.72 / Act 1: "Hat man nicht auch Gold beineben" is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Fidelio Op.72 / Act 1: "Hat man nicht auch Gold beineben"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 158 out of 204 in Beethoven Legendary Recordings by Ludwig van Beethoven. Fidelio Op.72 / Act 1: "Hat man nicht auch Gold beineben" is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Fidelio Op.72 / Act 1: "Hat man nicht auch Gold beineben" by Ludwig van Beethoven, Gottlob Frick, Bavarian State Orchestra, Ferenc Fricsay is Adagio (slowly with great expression), since this song has a tempo of 74 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude in G Minor, Op. 23, No. 5 - Live at Philharmonie, Berlin / 2018 | Sergei Rachmaninoff, Yuja Wang | G Minor | 2 | 6A | 114 BPM | ||
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | ||
Waltz No. 6 in D-Flat Major, Op. 64, No. 1 "Minute" | Frédéric Chopin, Alice Sara Ott | A♭ Major | 0 | 4B | 169 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Winterreise, Op. 89, D. 911: No. 21, Tauschung (Arr. T. Zimmermann and H. Holl) | Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut Höll | A Major | 0 | 11B | 119 BPM | ||
Concerto for Violin, Cello & Piano in C Major, Op. 56 "Triple Concerto": II. Largo | Ludwig van Beethoven, Jenő Jandó, Dong-Suk Kang, Maria Kliegel, Nicolaus Esterhazy Sinfonia, Béla Drahos | C Major | 0 | 8B | 103 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 3. Intermezzo: Andante con moto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E Minor | 0 | 9A | 136 BPM | ||
Sonata No. 5 in A Major, Op. 17, No. 5: I. Allegro | Johann Christian Bach, Daniil Trifonov | A Major | 1 | 11B | 135 BPM | ||
Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM |