A.R.Gurney, Valorie Armstrong, David Dukes, Judith Ivey, David Hyde Pierce's 'Chapter 6 - Later Life' came out on March 1, 1995. The duration of Chapter 6 - Later Life is about 3 minutes long, at 3:00. Based on our data, "Chapter 6 - Later Life" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in A.R.Gurney's "Later Life" album is number 6 out of 25. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Chapter 6 - Later Life's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Chapter 6 - Later Life by A.R.Gurney, Valorie Armstrong, David Dukes, Judith Ivey, David Hyde Pierce to be Allegro (fast, quick, and bright) because the track has a tempo of 137 テンポ, a half-time of 68テンポ, and a double-time of 274 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Meistersinger von Nürnberg, WWV 96: Wacht auf, es nahet gen den Tag (Excerpt) | Richard Wagner, Royal Opera Chorus, Bernard Haitink, Orchestra of the Royal Opera House, Covent Garden | A♭ Major | 1 | 4B | 64 BPM | ||
Quatre chansons françaises: No. 4, Chanson d'automne | Benjamin Britten, Sandrine Piau, Orchestre Victor Hugo, Jean-François Verdier | F♯ Major | 1 | 2B | 82 BPM | ||
Mass A Theatre Piece for Singers, Players and Dancers I: III. Second Introit: 1. In nomine Patris | Leonard Bernstein | G Major | 2 | 9B | 146 BPM | ||
Sometimes I Feel Like a Motherless Child (Arr. Hogan for Soprano and Piano) - Musical Moments | Traditional, Axelle Fanyo, Kunal Lahiry | F Minor | 1 | 4A | 86 BPM | ||
Orchestral Variations - 'The Seeds Long Hidden': Variation 3 | Anthony Payne, BBC Symphony Orchestra, Martyn Brabbins | B♭ Minor | 1 | 3A | 73 BPM | ||
L'enfant et les sortilèges, M. 71, Pt. 1: Part I: Bebe a ete sage? (Mama) | Maurice Ravel, Delphine Galou, Orchestre National De Lyon, Leonard Slatkin | A Major | 1 | 11B | 85 BPM | ||
Petite messe solennelle: XII. Credo. Crucifixus | Gioachino Rossini, Giulio Prandi, Sandrine Piau, Francesco Corti, Deniel Perer | D Minor | 3 | 7A | 101 BPM | ||
Haugtussa, Op. 67: III. Blåbaer-li | Charlotte Hoather, George Todica | F Major | 2 | 7B | 92 BPM | ||
"When maiden loves" | Arthur Sullivan, Ann Hood, Royal Philharmonic Orchestra, Sir Malcolm Sargent | D♭ Major | 1 | 3B | 82 BPM | ||
The Dream of Gerontius, Op. 38: No. 19, "Glory to Him" | Edward Elgar, Anne Sofie von Otter, London Symphony Orchestra, Sir Colin Davis | D Major | 0 | 10B | 84 BPM |