"Children's Suite, Op. 57 (Excerpts Arr. J. Heifetz for Violin & Piano): No. 11, Sleep, My Puppy" by Joseph Achron, Itamar Zorman, Kwan Yi had its release date on June 3, 2022. With This song being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Violin Odyssey by Itamar Zorman, Ieva Jokubaviciute, Kwan Yi. The song's track number on the album is #4 out of 23 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Children's Suite, Op. 57 (Excerpts Arr. J. Heifetz for Violin & Piano): No. 11, Sleep, My Puppy is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Children's Suite, Op. 57 (Excerpts Arr. J. Heifetz for Violin & Piano): No. 11, Sleep, My Puppy by Joseph Achron, Itamar Zorman, Kwan Yi has a tempo of 66 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Children's Suite, Op. 57 (Excerpts Arr. J. Heifetz for Violin & Piano): No. 11, Sleep, My Puppy being at 66 テンポ, the half-time would be 33 テンポ with a double-time of 132 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hebrew Melody, Op. 33 | Joseph Achron, Toscha Seidel, Philip Goodman | A Minor | 2 | 8A | 85 BPM | ||
Liebesbotschaft (Schwanengesang) | Franz Schubert, Antoine Tamestit, Markus Hadulla | F♯ Minor | 0 | 11A | 89 BPM | ||
Consolations, S. 172: No. 2 in E Major | Franz Liszt, Sandrine Erdely-Sayo | B Major | 0 | 1B | 136 BPM | ||
Poèmes "Le rossignol éperdu" (Excerpts): No. 26, Mirage | Reynaldo Hahn, Sofja Gülbadamova | F♯ Major | 0 | 2B | 68 BPM | ||
Lieder ohne Worte, Op. 67: No. 4 Presto "Spinnerlied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | C Major | 3 | 8B | 159 BPM | ||
Clarinet Trio in A Minor, Op. 114: I. Allegro | Johannes Brahms, Andreas Ottensamer, Gautier Capuçon, Yuja Wang | A Minor | 1 | 8A | 68 BPM | ||
Blumenleben, Op. 19: No. 2, Veilchen | Dora Pejačević, Natasa Veljkovic | B♭ Major | 0 | 6B | 171 BPM | ||
Violin Concerto in D Minor, WoO 23: II. Langsam - | Robert Schumann, Kolja Blacher, Mahler Chamber Orchestra | E Major | 1 | 12B | 82 BPM | ||
Suite in the Old Style: II. Ballet | Alfred Schnittke, Daniel Hope, Alexey Botvinov | D Major | 3 | 10B | 117 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM |