Felix Mendelssohn, Berliner Philharmoniker, Lorin Maazel's 'Symphony No. 4 In A Major, Op. 90, MWV N 16 - "Italian": 2. Andante con moto' came out on January 1, 2009. Symphony No. 4 In A Major, Op. 90, MWV N 16 - "Italian": 2. Andante con moto is about six minutes long, preciously at 6:02, making this song fairly long compared to other songs. The track order of this song in Felix Mendelssohn, Berliner Philharmoniker, Lorin Maazel's "Mendelssohn: Symphonies Nos.4 "Italian" & 5 "Reformation"" album is number 2 out of 8. On top of that, Germany appears to be the country where this track was created. Symphony No. 4 In A Major, Op. 90, MWV N 16 - "Italian": 2. Andante con moto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 4 In A Major, Op. 90, MWV N 16 - "Italian": 2. Andante con moto by Felix Mendelssohn, Berliner Philharmoniker, Lorin Maazel to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.9 In D / 4. Satz: Stets sehr gehalten | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | D Major | 0 | 10B | 79 BPM | ||
Morgenblätter, Op. 279 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 96 BPM | ||
Symphony In D Minor: 3. Allegro non troppo | César Franck, Berliner Philharmoniker, Carlo Maria Giulini | G Major | 1 | 9B | 65 BPM | ||
Symphony No.9 In D / 4. Satz: A tempo (Molto adagio) | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 105 BPM | ||
Piano Sonata No. 1 in E-Flat Major, Op. 1, No. 1, H. 8A: II. Rondo: Allegro | John Field, Benjamin Frith | E♭ Major | 1 | 5B | 97 BPM | ||
12 Contredanses, WoO 14: 6. Contredanse - Trio in C Major | Ludwig van Beethoven, Berliner Philharmoniker, Lorin Maazel | C Major | 4 | 8B | 130 BPM | ||
Bruch: Violin Concerto No. 2 in D Minor, Op. 44: II. Recitativo. Allegro moderato - Allegro | Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra | E♭ Major | 1 | 5B | 104 BPM | ||
Berlioz: Symphonie fantastique, Op. 14, H 48: III. Scène aux champs. Adagio | Hector Berlioz, Berliner Philharmoniker, Sir Simon Rattle | B♭ Major | 3 | 6B | 93 BPM | ||
Lieder ohne Worte, Op. 30: 3. Adagio non troppo | Felix Mendelssohn, András Schiff | E Major | 0 | 12B | 138 BPM | ||
Glazunov : Violin Concerto in A minor Op.82 : II Andante | Alexander Glazunov, Maxim Vengerov, Claudio Abbado, Berliner Philharmoniker | D♭ Major | 1 | 3B | 106 BPM |