"Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song" by Edvard Grieg, Alice Sara Ott was released on September 9, 2016. With this song being about 5 minutes long, at 4:37, "Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song" by Edvard Grieg, Alice Sara Ott is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wonderland - Edvard Grieg: Piano Concerto, Lyric Pieces by Edvard Grieg, Alice Sara Ott, Bavarian Radio Symphony Orchestra, Esa-Pekka Salonen. The song's track number on the album is #7 out of 15 tracks. Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song by Edvard Grieg, Alice Sara Ott has a tempo of 64 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song being at 64 テンポ, the half-time would be 32 テンポ with a double-time of 128 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 6 in F Major | John Field, Benjamin Frith | F Major | 0 | 7B | 71 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
Valse Fantaisie, Op.49 | Raoul Koczalski, Ingolf Wunder | B Minor | 0 | 10A | 66 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo di valse | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | A Major | 1 | 11B | 0 BPM | ||
Serenade for Strings, Op. 22, B. 52 (Excerpts Arr. P. Breiner for Piano): II. Minuet | Antonín Dvořák, Peter Breiner | A Major | 0 | 11B | 67 BPM | ||
Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, Lang Lang | G Major | 0 | 9B | 76 BPM | ||
Variations on an Original Theme in A-Flat Major, D. 813, Op. 35: VI. Variation V | Franz Schubert, Andreas Staier, Alexander Melnikov | E♭ Major | 0 | 5B | 66 BPM | ||
Piano Quartet in G Minor, K.478: II. Andante | Wolfgang Amadeus Mozart, Leif Ove Andsnes | B♭ Major | 0 | 6B | 140 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM |