"Ghost of Frankenstein (orch. J. Morgan): Main Title" by Hans J. Salter, RTE Concert Orchestra, Andrew Penny was released on December 1, 1993. The duration of Ghost of Frankenstein (orch. J. Morgan): Main Title is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Ghost of Frankenstein (orch. J. Morgan): Main Title's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 32 in the song's album "Salter: Ghost of Frankenstein / House of Frankenstein". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Hong Kong. Ghost of Frankenstein (orch. J. Morgan): Main Title is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ghost of Frankenstein (orch. J. Morgan): Main Title by Hans J. Salter, RTE Concert Orchestra, Andrew Penny having a テンポ of 67 with a half-time of 34 テンポ and a double-time of 134 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lunga attesa | Ennio Morricone, Bruno Nicolai | G Minor | 4 | 6A | 104 BPM | ||
Kuttan Forgets The Knot | Sushin Shyam | E Minor | 2 | 9A | 85 BPM | ||
Sauguet: Les forains: Entrée des forains | Henri Sauguet, Michel Plasson, Orchestre Du Capitole De Toulouse | C Major | 3 | 8B | 82 BPM | ||
Suite from The Miraculous Mandarin, Op. 19, Sz. 73, BB 82: II. First Decoy Game | Béla Bartók, The Cleveland Orchestra, Franz Welser-Möst | F Minor | 1 | 4A | 101 BPM | ||
V Unbreakable Unforgettable Unstoppable | Richard Thomas Brasseale, richard brasseale, Eleni Katz, Llewellyn Sánchez-Werner | F Major | 4 | 7B | 130 BPM | ||
Renaissance Concerto: III. Recitative (After Monteverdi) | Lukas Foss, Amy Porter, Buffalo Philharmonic Orchestra, Joann Falletta | A Minor | 1 | 8A | 147 BPM | ||
Asunder: II. Patient & mysterious | Vijay Iyer, Boston Modern Orchestra Project, Gil Rose | B Minor | 2 | 10A | 104 BPM | ||
25 Études faciles et progressives, Op. 100: No. 2, Arabesque | Franz Burgmüller, The Gerst Ensemble | A Minor | 0 | 8A | 131 BPM | ||
The Invisible Man Returns: Resting (Orch. J. Morgan) | Frank Skinner, Hans J. Salter, Moscow Philharmonic Orchestra, William Stromberg | C Major | 1 | 8B | 97 BPM | ||
Azur | Francois Fortin | B♭ Minor | 0 | 3A | 101 BPM |