"L'Amour de loin: Quatrième acte. Troisième tableau : Tempête. Jaufré : "Je devrais être l'homme le plus heureux du monde"" by Kaija Saariaho, Daniel Belcher, Deutsches Symphonie-Orchester Berlin, Kent Nagano, Rundfunkchor Berlin was released on September 7, 2009. The duration of L'Amour de loin: Quatrième acte. Troisième tableau : Tempête. Jaufré : "Je devrais être l'homme le plus heureux du monde" is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. L'Amour de loin: Quatrième acte. Troisième tableau : Tempête. Jaufré : "Je devrais être l'homme le plus heureux du monde"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Kaija Saariaho, Kent Nagano's "Kaija Saariaho: L'Amour de loin" album is number 6 out of 30. In terms of popularity, L'Amour de loin: Quatrième acte. Troisième tableau : Tempête. Jaufré : "Je devrais être l'homme le plus heureux du monde" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of L'Amour de loin: Quatrième acte. Troisième tableau : Tempête. Jaufré : "Je devrais être l'homme le plus heureux du monde" by Kaija Saariaho, Daniel Belcher, Deutsches Symphonie-Orchester Berlin, Kent Nagano, Rundfunkchor Berlin to be Andante (at a walking pace) because the track has a tempo of 106 テンポ, a half-time of 53テンポ, and a double-time of 212 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schoenberg: Verklärte Nacht, Op. 4: I. Grave | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Minor | 1 | 7A | 174 BPM | ||
L'Amour de loin: Cinquième acte. Deuxième tableau : Si la mort pouvait attendre. Jaufré : "C'est vous, c'est vous" | Kaija Saariaho, Daniel Belcher, Marie-Ange Todorovitch, Rundfunkchor Berlin, Kent Nagano, Ekaterina Lekhina, Deutsches Symphonie-Orchester Berlin | D Major | 2 | 10B | 86 BPM | ||
Violin Concerto: I. Praeludium | György Ligeti, Benjamin Schmid, Finnish Radio Symphony Orchestra, Hannu Lintu | C Major | 1 | 8B | 138 BPM | ||
Preludes: Le nombre leger (The Light Number) | Olivier Messiaen, Håkon Austbø | B Major | 1 | 1B | 68 BPM | ||
Requiem: Agnus Dei | Tigran Mansurian, RIAS Kammerchor, Munich Chamber Orchestra, Alexander Liebreich | D Minor | 0 | 7A | 83 BPM | ||
Arcadiana: VI. O Albion | Thomas Adès, Calder Quartet | E♭ Major | 0 | 5B | 78 BPM | ||
Totentanz | Meredith Monk, Bruce Brubaker, Ursula Oppens | A♭ Major | 1 | 4B | 111 BPM | ||
Como una ola de fuerza y luz: Beginning | Luigi Nono, Slavka Taskova, Maurizio Pollini, Bavarian Radio Symphony Orchestra, Claudio Abbado | D♭ Minor | 0 | 12A | 67 BPM | ||
Lamentate: Pregando | Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester Stuttgart | D♭ Minor | 0 | 12A | 68 BPM | ||
The Evergreen: I. Moss | Caroline Shaw, Attacca Quartet | C Major | 2 | 8B | 66 BPM |