Georg Philipp Telemann, La Stagione Frankfurt, Michael Schneider's 'Overture (Suite) in E-Flat Major, TWV 55:Es5: Preludio: Affettuoso' came out on January 1, 2003. With Overture (Suite) in E-Flat Major, TWV 55:Es5: Preludio: Affettuoso being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 48 in the song's album "Telemann: 6 Orchestral Suites". In this album, this song's track order is #2. Overture (Suite) in E-Flat Major, TWV 55:Es5: Preludio: Affettuoso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Overture (Suite) in E-Flat Major, TWV 55:Es5: Preludio: Affettuoso by Georg Philipp Telemann, La Stagione Frankfurt, Michael Schneider having a テンポ of 75 with a half-time of 38 テンポ and a double-time of 150 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino | Anthony Camden, City of London Sinfonia, Nicholas Ward | C Minor | 0 | 5A | 48 BPM | ||
Concerto in C Major, H.117, Op. 7: I. Francese Presto | Francesco Geminiani, Café Zimmermann | B Major | 3 | 1B | 112 BPM | ||
Flute Concerto in A Minor, QV 5:238: II. Arioso ma non troppo | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | B♭ Major | 0 | 6B | 92 BPM | ||
Concerto for Recorder and Flute in E Minor, TWV 52:e1: IV. Presto | Georg Philipp Telemann, Gunther Holler, Konrad Hünteler, Cappella Coloniensis, Georg Fischer | E♭ Minor | 2 | 2A | 124 BPM | ||
Concerto for Flute and Oboe in B Minor, FaWV L:h1: I. Allegro | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | B♭ Minor | 2 | 3A | 93 BPM | ||
Overture (Suite) In C Major, TWV 55: C6: II. Harlequinade | Cologne Chamber Orchestra, Georg Philipp Telemann | C Major | 2 | 8B | 124 BPM | ||
Sinfonia in D Major: III. Scherzando: Allegro | Frederick the Great, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | D Major | 3 | 10B | 109 BPM | ||
Macbeth: End of Act 4 – The Earl of Douglas’s Lament | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 1 | 6B | 136 BPM | ||
Concerto No 2 in E minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | E♭ Minor | 2 | 2A | 120 BPM | ||
Violin Concerto in D Major, Op. 7, No. 2: II. Adagio | Jean-Marie Leclair, Elizabeth Wallfisch, Nicholas Kraemer | B♭ Minor | 0 | 3A | 115 BPM |