Franz Schubert, Beaux Arts Trio's 'Adagio in E flat, Op.posth. 148 D.897 "Notturno"' came out on January 1, 1986. Adagio in E flat, Op.posth. 148 D.897 "Notturno" appears to be safe for all ages as it is not explicit. There are a total of 10 in the song's album "Schubert: The Piano Trios". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Netherlands. Adagio in E flat, Op.posth. 148 D.897 "Notturno" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Adagio in E flat, Op.posth. 148 D.897 "Notturno" by Franz Schubert, Beaux Arts Trio having a テンポ of 82 with a half-time of 41 テンポ and a double-time of 164 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Clarinet Quintet in B Minor, Op. 115: III. Andantino - Presto non assai, ma con sentimento | Johannes Brahms, Martin Fröst, Janine Jansen, Boris Brovtsyn, Maxim Rysanov, Torleif Thedéen | D Major | 2 | 10B | 105 BPM | ||
Berceuse, Op. 16 (arr. for cello and piano) | Anonymous, Gabriel Fauré, François Salque, Eric Le Sage | D Major | 0 | 10B | 86 BPM | ||
Serse, HWV 40 / Act 1: "Ombra mai fu" (Arr. for Oboe) | George Frideric Handel, Edward Brewer, Randall Wolfgang, Orpheus Chamber Orchestra | F Major | 1 | 7B | 79 BPM | ||
Cello Sonata in G Minor, Op. 19: III. Andante | Sergei Rachmaninoff, Leonard Elschenbroich, Alexei Grynyuk | E♭ Major | 0 | 5B | 90 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Introduction et variations sur La belle meunière in E Minor, Op. 160, D. 802: III. Var. I | Franz Schubert, Emmanuel Pahud, Eric Le Sage | D Major | 2 | 10B | 101 BPM | ||
Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
4 Impromptus D .899: No. 3 in G-Flat Major (Andante) | Franz Schubert, Amandine Savary | F Major | 1 | 7B | 69 BPM | ||
Standchen (From "Schwanengesang") (Schubert - Liszt) | Anna Malikova | D Major | 0 | 10B | 60 BPM | ||
Saint-Saëns: Mon coeur s'ouvre à ta voix from "Samson et Dalila" | Camille Saint-Saëns, Edgar Moreau, Pierre-Yves Hodique | D♭ Major | 1 | 3B | 86 BPM |