Helmut Walcha made "The Well-Tempered Clavier, Book I, BWV 859: Fugue, No. 14 in F-Sharp Minor" available on January 1, 2020. The duration of The Well-Tempered Clavier, Book I, BWV 859: Fugue, No. 14 in F-Sharp Minor is about 3 minutes long, at 3:04. Based on our data, "The Well-Tempered Clavier, Book I, BWV 859: Fugue, No. 14 in F-Sharp Minor" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 24 in Bach: The Well-Tempered Clavier, Book 1: Preludes and Fugues, No. 13-24 by Helmut Walcha. The Well-Tempered Clavier, Book I, BWV 859: Fugue, No. 14 in F-Sharp Minor is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of The Well-Tempered Clavier, Book I, BWV 859: Fugue, No. 14 in F-Sharp Minor by Helmut Walcha is Andante (at a walking pace), since this song has a tempo of 80 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gavotte - Arr. for Cello and Piano | Jean-Baptiste Lully, Mischa Maisky, Pavel Gililov | D Minor | 0 | 7A | 85 BPM | ||
Concerto In F Major For Flute & Strings, Op.10, No.1, RV 433 - "La tempesta di mare": 3. Presto | Antonio Vivaldi, Lisa Beznosiuk, The English Concert, Trevor Pinnock | E Major | 2 | 12B | 111 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
Concerto for 3 Harpsichords, Strings, and Continuo No. 2 in C, BWV 1064: 1. (Allegro) | Johann Sebastian Bach, Ton Koopman, Tini Mathot, Friederike Ernst, Amsterdam Baroque Orchestra | B Major | 4 | 1B | 87 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
Bach, JS: Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: I. — | Johann Sebastian Bach, Monica Huggett, John Toll, Pavlo Beznosiuk, Richard Campbell, Richard Tunnicliffe, Sarah Cunningham, William Hunt, Orchestra of the Age of Enlightenment | A Major | 2 | 11B | 100 BPM | ||
Oboe Concerto in A Major (arr. J. Barbirolli): I. Preludio | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 82 BPM | ||
Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | G Minor | 0 | 6A | 82 BPM |