"Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Or sai chi l'onore"" by Wolfgang Amadeus Mozart, Anna Tomowa-Sintow, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1986. The duration of Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Or sai chi l'onore" is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Or sai chi l'onore"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan's "Mozart: Don Giovanni" album is number 24 out of 66. In terms of popularity, Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Or sai chi l'onore" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Or sai chi l'onore" by Wolfgang Amadeus Mozart, Anna Tomowa-Sintow, Berliner Philharmoniker, Herbert von Karajan to be Andante (at a walking pace) because the track has a tempo of 104 テンポ, a half-time of 52テンポ, and a double-time of 208 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bohème / Act 1: "Si può" - "Chi è là?" | Giacomo Puccini, Michel Sénéchal, Rolando Panerai, Luciano Pavarotti, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan | A Major | 2 | 11B | 115 BPM | ||
La Bohème / Act 1: "Io resto" | Giacomo Puccini, Luciano Pavarotti, Rolando Panerai, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan | F♯ Major | 2 | 2B | 93 BPM | ||
Ch'io mi scordi di te, K. 505: Ch'io mi scordi di te | Wolfgang Amadeus Mozart, Marina Viotti, Gli Angeli Genève, Stephan MacLeod, Sebastian Wienand | C Minor | 0 | 5A | 113 BPM | ||
Tosca / Act I: "Tosca? Che non mi veda" / "Mario?! Mario?!" (Scarpia, Tosca, Sagrestano) | Giacomo Puccini, Katia Ricciarelli, Ruggero Raimondi, Fernando Corena, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 0 | 5B | 102 BPM | ||
Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 5: No. 4, Lied, "Hier im ird'schen Jammertal" (Kaspar, Max) | Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth | E Minor | 0 | 9A | 89 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act II Scene 6: Terzetto - Susanna, Or Via Sortite? | Donato Di Stefano, Maria Pia Ionata, Roberto Frontali, Patrizia Pace, Jozsef Mukk, Natale de Carolis, Ingrid Kertesi, Hungarian State Opera Orchestra, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | C Major | 2 | 8B | 73 BPM | ||
Das Rheingold, WWV 86A / Zweite Szene: "Wotan! Gemahl! Erwache!" | Richard Wagner, Josephine Veasey, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 1 | 4B | 78 BPM | ||
Fidelio: Quartett - Mir ist so wunderbar | Herbert von Karajan, Berliner Philharmoniker | G Major | 2 | 9B | 85 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Eh via, buffone, non mi seccar" | Wolfgang Amadeus Mozart, Samuel Ramey, Ferruccio Furlanetto, Berliner Philharmoniker, Herbert von Karajan | G Major | 3 | 9B | 101 BPM | ||
Die Schöpfung, Hob. XXI:2 / Erster Teil: 6. Arie: "Rollend in schäumenden Wellen" | Franz Joseph Haydn, Walter Berry, Berliner Philharmoniker, Herbert von Karajan | D Major | 2 | 10B | 95 BPM |