Ein Sommernachtstraum (A Midsummer's Night Dream): IX. Marcia funebre

Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe
Mendelssohn: Ein Sommernachtstraum (A Midsummer's Night Dream)
1:18 1994日
テンポ
104
キー
C Minor
キャメロットミュージックキー
5A

リンクを埋め込む

共有

Ein Sommernachtstraum (A Midsummer's Night Dream): IX. Marcia funebre - Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe 情報

音響性
98%
ダンサビリティ
30%
エネルギー
0%
手段性
2%
活気
9%
ラウドネス
44%
話し言葉
4%
価数
11%
人気
ラウドネス
-33.863 dB

まとめ

"Ein Sommernachtstraum (A Midsummer's Night Dream): IX. Marcia funebre" by Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe had its release date on 1994. With This song being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe's "Mendelssohn: Ein Sommernachtstraum (A Midsummer's Night Dream)" album is number 9 out of 12. In terms of popularity, Ein Sommernachtstraum (A Midsummer's Night Dream): IX. Marcia funebre is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Ein Sommernachtstraum (A Midsummer's Night Dream): IX. Marcia funebre テンポ

We consider the tempo marking of Ein Sommernachtstraum (A Midsummer's Night Dream): IX. Marcia funebre by Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe to be Andante (at a walking pace) because the track has a tempo of 104 テンポ, a half-time of 52テンポ, and a double-time of 208 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Ein Sommernachtstraum (A Midsummer's Night Dream): IX. Marcia funebre キー

C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Die 7 letzten Worte unseres Erlosers am Kreuze (The 7 Last Words), Op. 51, Hob.III:50-56 (version for string quartet): L'Introduzione: Maestoso ed adagio by Joseph Haydn, Kodály QuartetDie 7 letzten Worte unseres Erlosers am Kreuze (The 7 Last Words), Op. 51, Hob.III:50-56 (version for string quartet): L'Introduzione: Maestoso ed adagioJoseph Haydn, Kodály QuartetE Major112B131 BPM
Sinfonia No. 8 in D Major, MWV N8 (version for strings): III. Menuetto by Felix Mendelssohn, Northern Chamber Orchestra, Nicholas WardSinfonia No. 8 in D Major, MWV N8 (version for strings): III. MenuettoFelix Mendelssohn, Northern Chamber Orchestra, Nicholas WardB Minor210A120 BPM
Vespro della Beata Vergine, SV 206: XIIIj. Magnificat Vespro della Beata Vergine, SV 206: XIIIj. Magnificat "Sicut locutus est"Claudio Monteverdi, Philippe Herreweghe, Alexander Schneider, Bart Uvyn, Collegium Vocale GentB♭ Minor13A82 BPM
L'Arlesienne Suite No. 2: I. Pastorale by Georges Bizet, Berliner Rundfunk-Sinfonie-Orchester, Heinz Rögner, Ernest GuirandL'Arlesienne Suite No. 2: I. PastoraleGeorges Bizet, Berliner Rundfunk-Sinfonie-Orchester, Heinz Rögner, Ernest GuirandD Major310B122 BPM
Suite in G minor: IV. Bourree II (Arr. A. Camden) by George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas WardSuite in G minor: IV. Bourree II (Arr. A. Camden)George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas WardC Minor15A114 BPM
Variations On An Original Theme, Op.36 Variations On An Original Theme, Op.36 "Enigma": 5. R.P.A. (Moderato)Edward Elgar, BBC Symphony Orchestra, Leonard BernsteinC Minor05A83 BPM
Octet in F Major, D. 803: III. Allegro vivace - Trio by Franz Schubert, Budapest Schubert EnsembleOctet in F Major, D. 803: III. Allegro vivace - TrioFranz Schubert, Budapest Schubert EnsembleD Major310B84 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) by Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the FieldsHaydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten)Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the FieldsF Major17B124 BPM
Piano Concerto in A minor, Op. 54: Intermezzo: Andantino grazioso by Robert Schumann, Evgeny Kissin, Sir Colin Davis, London Symphony OrchestraPiano Concerto in A minor, Op. 54: Intermezzo: Andantino graziosoRobert Schumann, Evgeny Kissin, Sir Colin Davis, London Symphony OrchestraF Major07B90 BPM
Alcidiane: Ouverture by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonAlcidiane: OuvertureJean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonF♯ Minor111A98 BPM
ISRC
This song does not have an ISRC.
レコードレーベル
L-M Records/RCA Records