"Ein Sommernachtstraum (A Midsummer's Night Dream): IX. Marcia funebre" by Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe had its release date on 1994. With This song being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe's "Mendelssohn: Ein Sommernachtstraum (A Midsummer's Night Dream)" album is number 9 out of 12. In terms of popularity, Ein Sommernachtstraum (A Midsummer's Night Dream): IX. Marcia funebre is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ein Sommernachtstraum (A Midsummer's Night Dream): IX. Marcia funebre by Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe to be Andante (at a walking pace) because the track has a tempo of 104 テンポ, a half-time of 52テンポ, and a double-time of 208 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Die 7 letzten Worte unseres Erlosers am Kreuze (The 7 Last Words), Op. 51, Hob.III:50-56 (version for string quartet): L'Introduzione: Maestoso ed adagio | Joseph Haydn, Kodály Quartet | E Major | 1 | 12B | 131 BPM | ||
Sinfonia No. 8 in D Major, MWV N8 (version for strings): III. Menuetto | Felix Mendelssohn, Northern Chamber Orchestra, Nicholas Ward | B Minor | 2 | 10A | 120 BPM | ||
Vespro della Beata Vergine, SV 206: XIIIj. Magnificat "Sicut locutus est" | Claudio Monteverdi, Philippe Herreweghe, Alexander Schneider, Bart Uvyn, Collegium Vocale Gent | B♭ Minor | 1 | 3A | 82 BPM | ||
L'Arlesienne Suite No. 2: I. Pastorale | Georges Bizet, Berliner Rundfunk-Sinfonie-Orchester, Heinz Rögner, Ernest Guirand | D Major | 3 | 10B | 122 BPM | ||
Suite in G minor: IV. Bourree II (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 114 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 5. R.P.A. (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Minor | 0 | 5A | 83 BPM | ||
Octet in F Major, D. 803: III. Allegro vivace - Trio | Franz Schubert, Budapest Schubert Ensemble | D Major | 3 | 10B | 84 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Piano Concerto in A minor, Op. 54: Intermezzo: Andantino grazioso | Robert Schumann, Evgeny Kissin, Sir Colin Davis, London Symphony Orchestra | F Major | 0 | 7B | 90 BPM | ||
Alcidiane: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 1 | 11A | 98 BPM |