Guillaume Dufay, Bernhard Landauer, Unicorn Ensemble, Michael Posch made "Chansons (arr. for voice and chamber ensemble): Ce jour de l'an" available on May 2, 1996. The duration of Chansons (arr. for voice and chamber ensemble): Ce jour de l'an is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Chansons (arr. for voice and chamber ensemble): Ce jour de l'an's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 17 in Dufay: Chansons by Guillaume Dufay, Michael Posch. Based on our statistics, Chansons (arr. for voice and chamber ensemble): Ce jour de l'an's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Chansons (arr. for voice and chamber ensemble): Ce jour de l'an by Guillaume Dufay, Bernhard Landauer, Unicorn Ensemble, Michael Posch is Allegro (fast, quick, and bright), since this song has a tempo of 146 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Plainchant for Vespers I (Recollectio festorum beate Marie virginis): Antiphon: Tenebre diffugiunt/Psalm 112: Laudate pueri Dominum | Guillaume Dufay, Kurt-Owen Richards, Mark Duer, Jeffrey Johnson, Peter Stewart, Alexander Blachly | D Major | 0 | 10B | 101 BPM | ||
Missa "Mater Patris": Mater Patris et fil | Josquin des Prez, Antoine Brumel, Jerycho, Bartosz Izbicki | E Major | 2 | 12B | 66 BPM | ||
La traditora: Saltarello, "La traditora" | Marco Dall'Aquila, Shirley Rumsey | B♭ Major | 0 | 6B | 138 BPM | ||
Echo la primavera | Francesco Landini, Anonymous 4 | F Major | 0 | 7B | 85 BPM | ||
Recercare: Racercare | Francesco Spinacino, Shirley Rumsey | B♭ Major | 0 | 6B | 141 BPM | ||
Dance V (from "In the Upper Room")/ Par droit je puis bien | Philip Glass, Guillaume Dufay, Lautten Compagney | F Major | 5 | 7B | 134 BPM | ||
Jay pris amours | Francesco Spinacino, Shirley Rumsey, Christopher Wilson | B♭ Major | 1 | 6B | 137 BPM | ||
In nomine: Rachell’s Weepinge | Christopher Tye, The Spirit of Gambo, Freek Borstlap | D♭ Minor | 0 | 12A | 81 BPM | ||
Chanterai por mon corage | Guiot de Dijon, Christina Clarke, Early Music Consort Of London, David Munrow | A Minor | 0 | 8A | 124 BPM | ||
Sur le face est pale | Guillaume Dufay, Trinity Baroque, Martin Pope, Alan Crumpler, Fprbury Consort, Julian Podger, The Holbein Consort | C Major | 0 | 8B | 114 BPM |