George Frideric Handel, Murray Perahia made "Suite No.2 in F Major, HWV 427: Adagio" available on February 25, 1997. With Suite No.2 in F Major, HWV 427: Adagio being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Murray Perahia's "Murray Perahia plays Handel and Scarlatti" album is number 14 out of 22. The popularity of Suite No.2 in F Major, HWV 427: Adagio is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Suite No.2 in F Major, HWV 427: Adagio by George Frideric Handel, Murray Perahia to be Vivace (lively and fast) because the track has a tempo of 173 テンポ, a half-time of 86テンポ, and a double-time of 346 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Andante in F Major, Wq. 116/24, H. 250 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Major | 0 | 7B | 118 BPM | ||
Piano Concerto No. 10 in E-Flat Major, K. 365 / 316a: II. Andante | Wolfgang Amadeus Mozart, Murray Perahia, Radu Lupu, English Chamber Orchestra | B Minor | 1 | 10A | 104 BPM | ||
Sonata in G Minor, No. 5: II. Vivace | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | F♯ Minor | 2 | 11A | 100 BPM | ||
24 Preludes & Fugues, Op. 87: Fugue no.3 in G major. Allegro molto (3-voice) | Dmitri Shostakovich, Alexander Melnikov | F♯ Minor | 0 | 11A | 50 BPM | ||
24 Preludes and Fugues, Op. 87: Fugue No. 4 in E Minor | Dmitri Shostakovich, Igor Levit | E Minor | 1 | 9A | 133 BPM | ||
Cello Sonata in E Minor, RV 40: III. Largo | Antonio Vivaldi, Jean-Guihen Queyras, Michael Behringer, Christoph Dangel | F♯ Major | 0 | 2B | 138 BPM | ||
Prelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1 | Julian Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 117 BPM | ||
Sonata in E Major, K 206 | Domenico Scarlatti, Murray Perahia | B Major | 0 | 1B | 66 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 5, Menuet in G Minor [Attrib. J.S. Bach's BWV Anh. 115] | Christian Petzold, Giovanni Mazzocchin | C Minor | 1 | 5A | 180 BPM | ||
Piano Concerto No. 7 in F Major, K. 242 "Lodron" (Version for 2 Pianos & Orchestra): II. Adagio | Wolfgang Amadeus Mozart, Murray Perahia, Radu Lupu, English Chamber Orchestra | B♭ Major | 1 | 6B | 85 BPM |