"Don Quixote: Act II: Quiteria's Variation as Dulcinea" by Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov was released on February 24, 2004. With Don Quixote: Act II: Quiteria's Variation as Dulcinea being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ludwig Minkus, Nayden Todorov's "Minkus: Don Quixote" album is number 15 out of 59. In terms of popularity, Don Quixote: Act II: Quiteria's Variation as Dulcinea is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Don Quixote: Act II: Quiteria's Variation as Dulcinea by Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov to be Andante (at a walking pace) because the track has a tempo of 103 テンポ, a half-time of 52テンポ, and a double-time of 206 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Holberg Suite, Op. 40: 3. Gavotte (Allegretto) - Musette (poco più mosso) - Gavotte | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 78 BPM | ||
Blumenfest, Op. 111 (arr. L. Rosenthal): Blumenfest-Polka, Op. 111 | Johann Strauss II, Polish State Philharmonic Orchestra, Katowice, Johannes Wildner | E♭ Major | 1 | 5B | 123 BPM | ||
Capriccio Espagnol: Alborada | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | A Major | 4 | 11B | 126 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 19 (orch. A. Dvorak) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | B Minor | 2 | 10A | 132 BPM | ||
Le carnaval des animaux, R. 125: I. Introduction - II. Poules et Coqs - III. Hémiones | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | C Major | 2 | 8B | 96 BPM | ||
Act III. Neopolitan dance | Moscow New Philharmonic Orchestra, Vladimir Ponkin | D Major | 3 | 10B | 143 BPM | ||
Norwegian Dances, Op. 35: No. 2, Allegretto tranquillo e grazioso (Arr. H. Sitt for orchestra) | Edvard Grieg, Utah Symphony Orchestra, Maurice Abravanel | D♭ Major | 1 | 3B | 173 BPM | ||
Bériot: Scène de ballet, Op. 100 | Charles-Auguste de Bériot, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | A Major | 2 | 11B | 102 BPM | ||
Le Corsaire: Act I - "9. Pas de Trois des Odalisques: Variation: 1st Odalisque" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | A Major | 0 | 11B | 87 BPM | ||
Giselle (1996 Digital Remaster), Act I, No.5, Peasant pas de deux (Burgmuller): Entrance | Adolphe Adam, Terence Kern/London Festival Ballet Orchestra, Terence Kern, Terrence Kern, London Festival Ballet Orchestra | D Major | 5 | 10B | 103 BPM |