John Dowland, Nigel North made "Come Away, P. 60" available on March 31, 2009. The duration of Come Away, P. 60 is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Come Away, P. 60's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 25 in Dowland, J.: Lute Music, Vol. 4 - The Queen's Galliard by John Dowland, Nigel North. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Come Away, P. 60 is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Come Away, P. 60 by John Dowland, Nigel North is Andante (at a walking pace), since this song has a tempo of 102 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Una sarao de la chacona, "A la vida bona" | Juan Arañés, Piffaro | F♯ Major | 2 | 2B | 140 BPM | ||
Recercadas del Trattado de Glosas: Recercada primera sobre el canto Ilano "La Spagna" | Diego Ortiz, Bruno Cocset, Guido Balestracci, Les Basses Réunies | D Minor | 0 | 7A | 95 BPM | ||
In Nomine No. 2 | William Byrd, The Rose Consort Of Viols | F♯ Minor | 1 | 11A | 108 BPM | ||
A Ground in D Minor | Gottfried Finger, Maurice Steger, La Cetra | A♭ Minor | 2 | 1A | 108 BPM | ||
Canzonets to Three Voyces: XI. O Fly Not | Thomas Morley, Josh Lee | B Major | 1 | 1B | 105 BPM | ||
Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
The Bear - Lute Only | Giulio Cesare Barbetta, Massimo Lonardi | C Minor | 0 | 5A | 56 BPM | ||
Suite in D Minor: VII. La poste | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
Three Feminine Portraits - La Mia Barbara | Hopkinson Smith, John Dowland | D Minor | 1 | 7A | 93 BPM | ||
George Whitehead | John Dowland, Trinity Baroque, Martin Pope, Steven Player, Julian Podger, The Forbury Consort, The Holbein Consort, Alan Crumpler | C Major | 0 | 8B | 84 BPM |