Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti's 'The Sleeping Beauty, Op. 66, TH 13 / Act 2: 17. Panorama (Andantino)' came out on January 1, 1981. The duration of The Sleeping Beauty, Op. 66, TH 13 / Act 2: 17. Panorama (Andantino) is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. The Sleeping Beauty, Op. 66, TH 13 / Act 2: 17. Panorama (Andantino)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 42 in the song's album "Tchaikovsky: The Sleeping Beauty". In this album, this song's track order is #6. In terms of popularity, The Sleeping Beauty, Op. 66, TH 13 / Act 2: 17. Panorama (Andantino) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Sleeping Beauty, Op. 66, TH 13 / Act 2: 17. Panorama (Andantino) by Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti having a テンポ of 93 with a half-time of 46 テンポ and a double-time of 186 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La bayadère, Act II: "Variazione Gamzatti" | Silvano Belfiore | A♭ Major | 4 | 4B | 86 BPM | ||
Giselle: Act II: Introduction, halte des chasseurs et apparition des feux follets (The Huntsmen Rest...) | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 103 BPM | ||
Gayaneh, Ballet Suite: Gayaneh's Adagio | Aram Khachaturian, Bolshoi Theatre Orchestra, Yevgeny Svetlanov | A Major | 1 | 11B | 105 BPM | ||
Violin Concerto N°1 in D, Op. 6: III. Rondo (Allegro spirituoso) | The London Symphony Orchestra - Gordan Nikolitch (violin) | A Major | 1 | 11B | 103 BPM | ||
La Bayadere, Act II: 23. "Fan Dance" | Evergreen Symphony Orchestra, Kevin Galiè | B Minor | 0 | 10A | 124 BPM | ||
The Firebird: Scene 1: The Firebird's Lullaby | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris Nelsons | B Major | 0 | 1B | 117 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Pictures at an Exhibition: Ballet of the Chicks in their Shells | Modest Mussorgsky, George Szell, Cleveland Orchestra | D♭ Major | 0 | 3B | 79 BPM | ||
Skazaniye o nevidimom grade Kitezhe i deve Fevronii (Legend of the Invisible City of Kitezh and the Maiden Fevroniya): Prelude: In praise of the wilderness | Nikolai Rimsky-Korsakov, Mikhail Kazakov, Vitaly Panfilov, Tatiana Monogarova, Mikhail Gubsky, Gevorg Hakobyan, Marika Gulordava, Riccardo Ferrari, Stefano Consolini, Valery Gilmanov, Alexander Naumenko, Rosanna Savoia, Elena Manistina, Cagliari Theatre Chorus, Cagliari Theatre Orchestra, Alexander Vedernikov | E♭ Major | 7 | 5B | 127 BPM | ||
Romeo and Juliet, Op. 64 (Excerpts): The Balcony Scene | Sergei Prokofiev, Esa-Pekka Salonen | C Major | 0 | 8B | 80 BPM |