"Wien, Wien, nur du allein (Vienna, City of my Dreams)" by Birgit Nilsson, Geoffrey Parsons was released on July 5, 2011. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 39 in Birgit Nilsson's Greatest Songs and Arias by Birgit Nilsson. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, Wien, Wien, nur du allein (Vienna, City of my Dreams) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wien, Wien, nur du allein (Vienna, City of my Dreams) by Birgit Nilsson, Geoffrey Parsons is Moderato (at a moderate speed), since this song has a tempo of 112 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rossini: Guillaume Tell, Act 2 Scene 2: "Sombre forêt" (Mathilde) | Gioachino Rossini, Montserrat Caballé | A♭ Major | 1 | 4B | 74 BPM | ||
Der Freischütz, J. 277 / Act 3: "Schaut, o schaut! Er traf die eigne Braut!" | Carl Maria von Weber, Gundula Janowitz, Edith Mathis, Peter Schreier, Bernd Weikl, Siegfried Vogel, Theo Adam, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Carlos Kleiber | C Major | 2 | 8B | 174 BPM | ||
Die Walküre / Zweiter Aufzug: "Kehrte der Vater nur heim" | Richard Wagner, Régine Crespin, James King, Gottlob Frick, Birgit Nilsson, Hans Hotter, Wiener Philharmoniker, Sir Georg Solti | D Minor | 1 | 7A | 103 BPM | ||
Tristan und Isolde, WWV 90 / Act 2: "Doch unsre Liebe, heißt sie nicht Tristan und - Isolde?" | Richard Wagner, Birgit Nilsson, Wolfgang Windgassen, Bayreuth Festival Orchestra, Karl Böhm | A♭ Major | 2 | 4B | 87 BPM | ||
Die Walküre / Erster Aufzug: "Kühlende Labung gab mir der Quell" | Richard Wagner, James King, Régine Crespin, Wiener Philharmoniker, Sir Georg Solti | F Major | 0 | 7B | 88 BPM | ||
Parsifal, WWV 111 / Act III: Ja, Wehe! Wehe! Weh' über mich! | Richard Wagner, José van Dam, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin | C Major | 0 | 8B | 166 BPM | ||
Puccini: Turandot, Act 2 Scene 2: "In questa Reggia, or son mill'anni e mille" (Turandot, La Folla, Calaf) | Giacomo Puccini, Birgit Nilsson, Francesco Molinari-Pradelli, Orchestra Del Teatro Dell'Opera Di Roma | D Minor | 0 | 7A | 83 BPM | ||
La Forza del Destino, Act 4: "pace, Pace, Mio Dio" | Birgit Nilsson | D Major | 3 | 10B | 85 BPM | ||
Cavalleria rusticana: "Ah! lo vedi" (Duetto) | Pietro Mascagni, Luciano Pavarotti, Julia Varady, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Minor | 3 | 4A | 85 BPM | ||
Carmina Burana / III. Cour d'amours: "Tempus est iocundum" | Carl Orff, Gundula Janowitz, Dietrich Fischer-Dieskau, Schöneberger Sängerknaben, Orchester der Deutschen Oper Berlin, Eugen Jochum | F♯ Major | 7 | 2B | 138 BPM |